The Wicker Work Woman: A Chronicle of Our Own TimesFrance, Anatole
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The Wicker Work Woman: A Chronicle of Our Own Times
France, Anatole
French fiction -- Translations into English
were still to be met who remembered having seen in their childhood
the branches of an oak from which hung a human form with long, black,
floating tresses that used to frighten the horses.
“She remained hanging there for three years,” exclaimed the archivist,
“and she was own grandmother to Hyacinthe Quatrebarbe, the diocesan
architect!”
“It’s very singular,” said M. Bergeret, “but, of course, one ought to
keep that kind of thing to oneself.”
But Mazure paid no heed. He longed to publish everything, to
bruit everything abroad, in direct opposition to the opinion of
M. Worms-Clavelin, the _préfet_, who wisely said: “One ought most
carefully to avoid giving occasion to scandal and dissension.” He had
threatened, in fact, to get the archivist dismissed, if he persisted in
revealing old family secrets.
“Ah!” cried Mazure, chuckling in his tangled forest of beard, “it shall
be known that in 1815 there was a little Cossack who came into the
world through the exertions of a Demoiselle de Gromance.”
Only a moment since M. Bergeret had reached his own door, and he still
held the handle of the bell.
“What does it matter, after all?” said he. “The poor lady did what she
couldn’t help doing. She is dead, and the little Cossack also is dead.
Let us leave their memory in peace, or if we recall it for a moment,
let it be with a kindly thought. What zeal is it that so carries you
away, dear Monsieur Mazure?”
“The zeal for justice.”
M. Bergeret pulled the bell.
“Good-bye, Mazure,” said he; “don’t be just, and do be merciful. I wish
you a very happy New Year.”
Public-domain text, read in full here on John Shaqi.
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