The Wicker Work Woman: A Chronicle of Our Own TimesFrance, Anatole
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The Wicker Work Woman: A Chronicle of Our Own Times
France, Anatole
French fiction -- Translations into English
[6] Que sert à vos pareils de lire incessamment?
Ils sont toujours logés à la troisième chambre,
Vêtus au mois de juin comme au mois de décembre,
Ayant pour tout laquais leur ombre seulement.
Possibly the use he made of this quotation and of this kind of talk was
unwise, for it exasperated Madame Bergeret, who was proud of living
in a flat in the middle of the town, in a house that was inhabited by
people of good position.
“Now for the third ‘room,’” said M. Bergeret to himself. Drawing out
his watch, he saw that it was eleven o’clock. He had told them not
to expect him before noon, as he had intended to spend an hour in
Paillot’s shop. But there he had found the shutters up: holidays and
Sundays were days of misery to him, simply because the bookseller’s was
closed on those days. To-day he had a feeling of annoyance, because he
had not been able to pay his usual call on Paillot.
On reaching the third storey he turned his key noiselessly in the
lock and entered the dining-room with his cautious footstep. It was
a dismal room, concerning which M. Bergeret had formed no particular
opinion, although in Madame Bergeret’s eyes it was quite artistic,
on account of the brass chandelier which hung above the table, the
chairs and sideboard of carved oak with which it was furnished, the
mahogany whatnot loaded with little cups, and especially on account of
the painted china plates that adorned the wall. On entering this room
from the dimly lit hall one had the door of the study on the left, and
on the right the drawing-room door. Whenever M. Bergeret entered the
flat he was in the habit of turning to the left into his study, where
solitude, books and slippers awaited him. This time, however, for no
particular motive or reason, without thinking what he was doing, he
went to the right. He turned the handle, opened the door, took one step
and found himself in the drawing-room.
He then saw on the sofa two figures linked together in a violent
attitude that suggested either endearment or strife, but which was, as
a matter of fact, very compromising. Madame Bergeret’s head was turned
away and could not be seen, but her feelings were plainly expressed
in the generous display of her red stockings. M. Roux’s face wore
that strained, solemn, set, distracted look that cannot be mistaken,
although one seldom sees it; it agreed with his disordered array. Then,
the appearance of everything changed in less than a second, and now M.
Bergeret saw before him two quite different persons from those whom he
had surprised; two persons who were much embarrassed and whose looks
were strange and even rather comical. He would have fancied himself
mistaken had not the first picture engraved itself on his sight with a
strength that was only equalled by its suddenness.
VI
Public-domain text, read in full here on John Shaqi.
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