The Wicker Work Woman: A Chronicle of Our Own TimesFrance, Anatole
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The Wicker Work Woman: A Chronicle of Our Own Times
France, Anatole
French fiction -- Translations into English
“Lecœur’s case,” replied the doctor, “presents many other
peculiarities which cannot fail to be significant in the eyes of a
scientist. Like so many born criminals his senses are blunted. Thus I
found, when I examined him, that he was tattooed in every part of his
body. You would be surprised at the lewd fancy shown in the choice of
scenes and symbols painted on his skin.”
“Really?” said M. de Terremondre.
“The skin of this patient,” said Dr. Fornerol, “really ought to be
properly prepared and preserved in our museum. But it is not the
character of the tattooing that I want to insist upon, but rather the
number of the pictures and their arrangement on the body. Certain parts
of the operation must have caused the patient an amount of pain which
could scarcely have been bearable to a person of ordinary sensibility.”
“There you are making a mistake!” exclaimed M. de Terremondre. “It
is evident that you don’t know my friend Jilly. Yet he is a very
well-known man. Jilly was quite young when, in 1885 or ’86, he made
the tour of the world with his friend Lord Turnbridge on the yacht
_Old Friend_. Jilly swears that throughout the whole voyage, through
storms and calm, neither Lord Turnbridge nor himself ever put foot on
deck for a single moment. The whole time they remained in the cabin
drinking champagne with an old top-man of the marines who had been
taught tattooing by a Tasmanian chief. In the course of the voyage
this old top-man covered the two friends from head to foot with tattoo
marks, and Jilly returned to France adorned with a fox-hunt that
comprises as many as three hundred and twenty-four figures of men,
women, horses and dogs. He is always delighted to show it when he sups
with boon companions at an inn. Now I really cannot say whether Jilly
is abnormally insensitive to pain, but what I can tell you is that he
is a fine fellow, and a man of honour and that he is incapable of....”
“But,” asked M. Bergeret, “do you think it right that this butcher’s
boy should be guillotined? For you confess that there are such things
as born criminals, and in your own phrase it seems that Lecœur
was only partially responsible for his acts, through a congenital
predisposition to crime.”
The doctor shrugged his shoulders.
“Then what would you do with him?” he asked.
“As a matter of fact,” replied M. Bergeret, “I am but little interested
in the fate of this particular man. But I am, nevertheless, opposed to
the death penalty.”
“Let’s hear your reasons, Bergeret,” said Mazure, the archivist, for
to him, living as he did in admiration of ’93 and the Terror, the idea
of the guillotine carried with it mystic suggestions of moral beauty.
“For my part, I would prohibit the death penalty in common law, but
re-establish it in political cases.”
Public-domain text, read in full here on John Shaqi.
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