The Wicker Work Woman: A Chronicle of Our Own TimesFrance, Anatole
General
The Wicker Work Woman: A Chronicle of Our Own Times
France, Anatole
French fiction -- Translations into English
Madame Worms-Clavelin looked out of the carriage window: she had nearly
arrived. In front of her the pointed tops of the poplars which fringe
the river rose at the end of the avenue. Once more the surroundings
were varied and bustling. High walls and zigzag roof-ridges followed
one another uninterruptedly. The cab stopped in front of a large
modern house, evidently built with special regard to economy and even
stinginess, in defiance of all considerations of art or beauty. Yet the
effect was neat and pleasant on the whole. It was pierced with narrow
windows, among which one could distinguish those of the chapel by the
leaden tracery that bound the window-panes. On its dull, plain façade
one was discreetly reminded of the traditions of French religious art
by means of triangular dormer windows set in the woodwork of the roof
and capped with trefoils. On the pediment of the front door an ampulla
was carved, typifying the phial in which was contained the blood of the
Saviour that Joseph of Arimathæa had carried away in a glove. This was
the escutcheon of the Sisters of the Precious Blood, a confraternity
founded in 1829 by Madame Marie Latreille, which received state
recognition in 1868, thanks to the goodwill of the Empress Eugénie. The
Sisters of the Precious Blood devoted themselves to the training of
young girls.
Jumping from the carriage, Madame Worms-Clavelin rang at the door,
which was carefully and circumspectly half opened for her. Then she
went into the parlour, while the sister who attended to the turnstile
gave notice through the wicket that Mademoiselle de Clavelin was
wanted to come and see her mother. The parlour was only furnished with
horsehair chairs. In a niche on the whitewashed wall there stood a
figure of the Holy Virgin, painted in pale colours. There was a certain
air of archness about the figure, which stood erect, with the feet
hidden and the hands extended. This large, cold, white room carried
with it a suggestion of peace, order and rectitude. One could feel in
it a secret power, a social force that remained unseen.
Madame Worms-Clavelin sniffed the air of this parlour with a solemn
sense of satisfaction, though it was damp, and suffused with the stale
smell of cooking. Her own girlhood had been spent in the noisy little
schools of Montmartre, amidst daubs of ink and lumps of sweetmeats, and
in the perpetual interchange of offensive words and vulgar gestures.
She therefore appreciated very highly the austerity of an aristocratic
and religious education. In order that her daughter might be admitted
into a famous convent, she had had her baptized, for she thought to
herself, “Jeanne will then be better bred and she will have a chance of
making a better marriage.”
Public-domain text, read in full here on John Shaqi.
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