Strange, then, that her own memorial is the prime curiosity of Weybridge! Its history is this: After her death the inhabitants of the town were desirous of commemorating her thirty years’ residence among them, and it suddenly struck them that a way was ready to hand. Till about fifty years earlier there had stood in Seven Dials a pillar supporting a sundial which presented a face to each of the streets. It was from this adornment, indeed, that the classic district got its name. Believing that treasure was buried beneath the pillar, some night-birds threw it down and excavated beneath it, to find nothing. Rumour, they discovered, was a lying jade. The stones, instead of being set up again on their old site, were conveyed to Sayes Court, Addlestone, with a view to their re-erection there, but this was not done, the column remaining dismembered till the occupier of Oatlands died. Now this bit of London out of town the inhabitants resolved should be converted into a memorial of the Duchess. So the stones were purchased and set up on the green, with the substitution of a ducal crown for the block on which were the dials. This was used for some time afterwards as a mounting stone at an inn hard by. It then constituted a puzzle, because, though in Seven Dials--according to the testimony of everybody who described it--there were seven faces, the number on close examination proved to be only six. [Illustration: THE “SEVEN DIALS” PILLAR, AT WEYBRIDGE, SURREY. _From a Photograph._] Another class of “freak” memorials have a twofold peculiarity: they are singular in themselves and are also remarkable by reason of the tardiness with which they were erected. Maud Heath’s Column, on Bremhillwick Hill, near Chippenham, is as good an instance as any. The title of the good lady to grateful remembrance is that she left a bequest by which a causeway was constructed in 1474 from Chippenham to the shoulder of Bremhillwick Hill. Her claim was from the outset acknowledged, inscriptions along the route of the causeway expressing gratitude to her for having made it. But this was not enough for a former vicar of Bremhillwick. After pedestrians had for more than three centuries been called upon to bless the public-spirited lady, and had been told, moreover, precisely where her causeway began and where it ended, the vicar came to the conclusion that she ought to have a statue, and moved himself to that end. A preliminary difficulty was that no portrait of Maud Heath was known to exist; but ultimately, with the co-operation of the Marquess of Lansdowne, the clergyman triumphed, and the column on Bremhillwick Hill--which was set up in 1836--is the result. The sculptor of the statue on the top of it had to fall back on his imagination, and he represented a woman in fifteenth century costume, with a staff in her hand and a basket by her side.