The Widow Barnaby. Vol. 2 (of 3)Trollope, Frances Milton
General
The Widow Barnaby. Vol. 2 (of 3)
Trollope, Frances Milton
England -- Social life and customs -- 19th century -- Fiction; Social classes -- England -- Fiction; Widows -- Fiction
"Well, Frederick, you may be right ... and perhaps, my friend, my eyes
begin to fail me; for, to tell you the truth, your adorable's crape veil
was too thick for me to see anything through it."
"To be sure it was!" cried Stephenson, quite delighted at the _amende_;
"I thought it was impossible you could underrate such a face as that."
"It is a great blessing to have young eyes," rejoined the Colonel,
relapsing into his bantering tone.
"What!... At it again, thou crusty old Mars?... Then I leave you."
"_Au revoir_, my Corydon!..." and so they parted.
CHAPTER II.
THE BALL.
The evening of the ball, so much dreaded by the niece, and so much
longed for by the aunt, arrived at last; and by a chance not over common
in the affairs of mortals, while the hopes of the one lady were more
than realised, the fears of the other were proved to be altogether
groundless. Many favourable accidents, indeed, concurred to lessen the
difficulties anticipated by Agnes. In the first place, her almost
funereal robes (for which, if the truth be spoken, it must be avowed she
had not the slightest partiality,) assumed an appearance, under her
tasteful fancy, which surprised even herself; for though, when she set
about it, she had a sort of _beau ideal_ of a black crape robe floating
in her imagination, her hopes of giving it form and substance by her own
ingenuity were not very sanguine. Mrs. Barnaby, either from the depth of
her sorrow, or the height of her elegance, had commanded, when she
ordered her widow's mourning, that one dress should touch the heart of
every beholder by having a basement of sable crape one yard in breadth
around it. This doleful dress was costly, and had been rarely worn at
Silverton, that it might come forth in greater splendour at Exeter. But
at Exeter, as we have seen, the widow's feelings so completely
overpowered her, that she could not wear it at all; and thus it came
under the fingers of Agnes in very respectable condition. Of these
circumambulatory ells of crape, the young artificer contrived to
fabricate a dress that was anything but unbecoming. The enormous crape
_gigots_ (for those were the days of gigots), which made part of her
black treasure, hung from her delicate fair arms like transparent clouds
upon the silvery brightness of the moon ... so, at least, would
Frederick Stephenson have described it ... while the simple corsage,
drawn, _à la vierge_, rather higher than fashion demanded round her
beautiful bust, gave a delicate and sober dignity to her appearance,
that even those who would have deemed it "a pity to be so covered up"
themselves, could not but allow was exceedingly becoming.
As soon as her labour was ended, she prudently made an experiment of its
effect; and then, in "trembling hope" of her aunt's approval, made her
appearance before her. Her success here perfectly astonished her.
"Mercy on me, child!--What an elegant dress!--Where on earth did you get
it from?"
"From your gown, aunt."
Public-domain text, read in full here on John Shaqi.
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