The Widowing of Mrs. Holroyd: A Drama in Three ActsLawrence, D. H. (David Herbert)
General
The Widowing of Mrs. Holroyd: A Drama in Three Acts
Lawrence, D. H. (David Herbert)
Coal mine accidents -- Drama; Coal miners -- Drama; Coal miners -- Family relationships -- Drama
THE WIDOWING OF
MRS. HOLROYD
A DRAMA IN THREE ACTS
BY
D. H. LAWRENCE
LONDON
DUCKWORTH & CO.
3, HENRIETTA STREET, COVENT GARDEN, W. C.
1914
COPYRIGHT 1914 BY
MITCHELL KENNERLEY
THE·PLIMPTON·PRESS
NORWOOD·MASS·U·S·A
CONTENTS
PAGE
INTRODUCTION vii
THE WIDOWING OF MRS. HOLROYD 1
INTRODUCTION
D. H. Lawrence is one of the most significant of the new generation
of writers just beginning to appear in England. One of their chief
marks is that they seem to step forward full-grown, without a history
to account for their maturity. Another characteristic is that they
frequently spring from social layers which in the past had to remain
largely voiceless. And finally, they have all in their blood what
their elders had to acquire painfully: that is, an evolutionary
conception of life.
Three years ago the author of "The Widowing of Mrs. Holroyd" was
wholly unknown, having not yet published a single work. To-day he has
to his credit three novels--"The White Peacock," "The Trespasser"
and "Sons and Lovers"--a collection of verse entitled "Love Poems,"
and the play contained in this volume. All of these works, but in
particular the play and the latest novel, prove their author a man
gifted with a strikingly original vision, a keen sense of beauty, an
equally keen sense of verbal values, and a sincerity, which makes him
see and tell the truth where even the most audacious used to falter in
the past. Flaubert himself was hardly less free from the old curse of
sentimentalizing compromise--and yet this young writer knows how to
tell the utmost truth with a daintiness that puts offence out of the
question.
He was born twenty-seven years ago in a coal-miner's cottage at
the little colliery town of Eastwood, on the border line between
Nottingham and Derbyshire. The home was poor, yet not without certain
aspirations and refinements. It was the mother who held it together,
who saved it from a still more abject poverty, and who filled it with
a spirit that made it possible for the boy--her youngest son--to keep
alive the gifts still slumbering undiscovered within him. In "Sons and
Lovers" we get the picture of just such a home and such a mother, and
it seems safe to conclude that the novel in question is in many ways
autobiographical.
Public-domain text, read in full here on John Shaqi.
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