The lady surveyed the long low clear room so cleverly prepared for life, with its white wall, its Dutch clock, its Dutch dresser, its pretty seats about the open fireplace, its cleverly placed bureau, its sun-trap at the garden end; she could feel the rich intention of living in its every arrangement and a sense of uncertainty in things struck home to her. She seemed to see a woman, a woman like herself—only very, very much cleverer—flitting about the room and making it. And then this woman had vanished—nowhither. Leaving this gentleman—sadly left—in the care of Mrs. Rabbit. “And she is dead?” she said with a softness in her dark eyes and a fall in her voice that was quite natural and very pretty. “She died,” said Mr. Brumley, “three years and a half ago.” He reflected. “Almost exactly.” He paused and she filled the pause with feeling. He became suddenly very brave and brisk and businesslike. He led the way back into the hall and made explanations. “It is not so much a hall as a hall living-room. We use that end, except when we go out upon the verandah beyond, as our dining-room. The door to the right is the kitchen.” The lady’s attention was caught again by the bright long eventful pictures that had already pleased her. “They are copies of two of Carpaccio’s St. George series in Venice,” he said. “We bought them together there. But no doubt you’ve seen the originals. In a little old place with a custodian and rather dark. One of those corners—so full of that delightful out-of-the-wayishness which is so characteristic, I think, of Venice. I don’t know if you found that in Venice?” “I’ve never been abroad,” said the lady. “Never. I should love to go. I suppose you and your wife went—ever so much.” He had a transitory wonder that so fine a lady should be untravelled, but his eagerness to display his backgrounds prevented him thinking that out at the time. “Two or three times,” he said, “before our little boy came to us. And always returning with something for this place. Look!” he went on, stepped across an exquisite little brick court to a lawn of soft emerald and turning back upon the house. “That Dellia Robbia placque we lugged all the way back from Florence with us, and that stone bird-bath is from Siena.” “How bright it is!” murmured the lady after a brief still appreciation. “Delightfully bright. As though it would shine even if the sun didn’t.” And she abandoned herself to the rapture of seeing a house and garden that were for once better even than the agent’s superlatives. And within her grasp if she chose—within her grasp. She made the garden melodious with soft appreciative sounds. She had a small voice for her size but quite a charming one, a little live bird of a voice, bright and sweet. It was a clear unruffled afternoon; even the unseen wheel-barrow had very sensibly ceased to creak and seemed to be somewhere listening....