The Wigmaker in Eighteenth-Century Williamsburg: An Account of His Barbering, Hair-dressing, & Peruke-Making Services, & Some Remarks on Wigs of Various Styles.Bullock, Thomas K.
History
The Wigmaker in Eighteenth-Century Williamsburg: An Account of His Barbering, Hair-dressing, & Peruke-Making Services, & Some Remarks on Wigs of Various Styles.
Bullock, Thomas K.
Wigmakers; Wigs -- History
[Illustration: _“The Preposterous Head Dress, or the Feathered Lady”
is the title of this satirical print issued in London in 1776.
Contemporary accounts indicate that the artist did not greatly
exaggerate either the size or the composition of the headdresses
affected by fashionable ladies in the capitals of Europe. Colonial
women seem not to have dressed their hair in such heights of
fashion._]
The broad main street of Williamsburg, muddy or dusty as the season
decreed, stretched westward from the Capitol nearly a mile to the
College of William and Mary. During most of the year it saw only the
normal activity of a small colonial town. But several times each
year—when the courts and perhaps the Assembly met—the town’s population
doubled or tripled. These “Publick Times” were almost field days of
litigation, commercial negotiation, and merrymaking. Then it was that
innkeepers and craftsmen lucky enough to have located in that first
block knew how fortunate they were.
One small shop also near the Raleigh had been a barbering and wigmaking
establishment at least since John Peter Wagnon bought it in 1734. It
remained so through the long ownership of Wagnon’s one-time apprentice,
Andrew Anderson, and the short occupancy of two successor barbers and
wigmakers, William Peake of Yorktown and James Currie. Across the street
from the Raleigh had stood the shop of Jean Pasteur, one of
Williamsburg’s first known wigmakers. Somewhere nearby Alexander Finnie
made wigs before moving to the Raleigh itself, and Anthony Geohegan did
so later—perhaps in the same shop.
A little farther uptown William Peake had briefly set up business as a
barber in Mr. Dunn’s Crown Tavern, opposite the printing office. James
Nichols first opened his shop in “the corner room of the brick house
where Mrs. Singleton lives”—now better known as the Brick House Tavern.
And somewhere along the same crowded street Richard Charlton (who was
somehow related to Edward and had at least a passing acquaintance with
wigmaking) kept his well-patronized tavern.
Other craftsmen also located in the same neighborhood. Not far beyond
the Raleigh hung the sign of James Craig’s jewelry, watch, and
silversmith shop, the Golden Ball. And next to it was the millinery
store of the sisters Margaret and Jane Hunter—the latter of whom married
her neighbor Edward Charlton.
The size of Edward Charlton’s barber and wig shop is now unknown. For
some time it was probably no larger than a front room of the house he
owned opposite the Raleigh. Andrew Anderson’s shop was in a building
sixteen feet square. The barber shop next to the King’s Arms Tavern is
shown on later insurance papers to have been sixteen by twenty feet—and
these are the approximate dimensions of the restored barber and
perukemaker’s shop.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account