The Wild Elephant and the Method of Capturing and Taming it in CeylonTennent, James Emerson, Sir
History
The Wild Elephant and the Method of Capturing and Taming it in Ceylon
Tennent, James Emerson, Sir
Elephants -- Sri Lanka
So conversant are the natives with the structure and “points” of the
elephant, that they divide them readily into castes, and describe
with particularity their distinctive excellences and defects. In
the _Hastisilpe_, a Singhalese work which treats of their natural
management, the marks of inferior breeding are said to be “eyes
restless like those of a crow, the hair of the head of mixed shades;
the face wrinkled; the tongue curved and black; the nails short
and green; the ears small; the neck thin, the skin freckled; the
tail without a tuft, and the fore-quarter lean and low;” whilst the
perfection of form and beauty is supposed to consist in the “softness
of the skin, the red colour of the mouth and tongue, the forehead
expanded and hollow, the ears broad and rectangular, the trunk broad at
the root and blotched with pink in front; the eyes bright and kindly,
the cheeks large, the neck full, the back level, the chest square, the
fore legs short and convex in front, the hind quarter plump, and five
nails on each foot, all smooth, polished, and round.[29] An elephant
with these perfections,” says the author of the _Hastisilpe_, “will
impart glory and magnificence to the king; but he cannot be discovered
amongst thousands, yea, there shall never be found an elephant clothed
at once with _all_ the excellences herein described.” The “points” of
an elephant are to be studied with the greatest advantage in those
attached to the temples, which are always of the highest caste, and
exhibit the most perfect breeding.
The colour of the animal’s skin in a state of nature is generally
of a lighter brown than that of those in captivity; a distinction
which arises, in all probability, not so much from the wild animal’s
propensity to cover itself with mud and dust, as from the superior care
which is taken in repeatedly bathing the tame ones, and in rubbing
their skins with a soft stone, a lump of burnt clay, or the rough husk
of a coco-nut. This kind of discipline, together with the occasional
application of oil, gives rise to the deeper black which the hides of
the latter present.
Amongst the Singhalese, however, a singular preference is evinced for
elephants that exhibit those flesh-coloured blotches which occasionally
mottle the skin of an elephant, chiefly about the head and extremities.
The front of the trunk, the tips of the ears, the forehead, and
occasionally the legs, are thus diversified with stains of a yellowish
tint, inclining to pink. These are not natural; nor are they
hereditary, for they are seldom exhibited by the younger individuals
in a herd, but appear to be the result of some eruptive affection, the
irritation of which has induced the animal in its uneasiness to rub
itself against the rough bark of trees, and thus to abrade the outer
cuticle.[30]
Public-domain text, read in full here on John Shaqi.
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