Businessmen -- Virginia -- Fiction; Upper class -- Virginia -- Fiction; Women dancers -- France -- Fiction
It was this very thing--his inaccessibility, his aloofness--that
ruffled young Mrs. Carter. At first she had not noticed him--a pale
young man who limped; but after a while she caught herself watching
him, expecting something, she knew not what. She was tantalized by his
silence, his drawling Southern speech, his quiet observation. In a
hundred little ways she had tried to take him unawares and failed. Then
he grew interesting, and she studied him. She had that love of conquest
that some women have, and she had not conquered Daniel.
Quite unaware of the interest he had excited, Daniel pursued his usual
course, except in one direction. He had had neither the heart nor the
courage to go to the Denbighs. It seemed to him that he could never
bear to see again that look in Virginia’s eyes, a look that was not for
him--and not caused by him, thank God! It followed him when he worked
in Judge Jessup’s office, on briefs that were soon to make him famous,
and when he walked, meditating, under the stars. It could not be shut
out, because Virginia’s face, her eyes, her smile, had been with him so
long in secret.
He had tried to thrust the image out when he thought she was to be his
brother’s wife, but now he did not try to battle with it. He would,
indeed, have loved to dwell upon it, but for that look of doubt and
pain in her eyes when she first heard of William’s marriage. Love’s
vision is excruciatingly clear when it is looking at love revealed. He
knew now! And he had found it too hard to go there; he felt as if he
had, in some mysterious way, become heir to his brother’s falsehood.
He was bearing a vicarious punishment by denying himself a sight of
Virginia’s face; but he thought of her with a constancy that shut out
his brother’s bride.
He was thinking of Virginia one day when he came in rather earlier than
usual, and, finding the library empty, sat down to write a letter or
two. He chose his place, too, because there was a picture of Virginia
on the mantelpiece--a small photograph of her as a schoolgirl, which
she had given to his mother. It was framed and standing there beside
the old ormolu clock.
As Daniel wrote he looked up at the picture with that curious sense of
companionship that lonely people, people who have suffered, draw from
such inanimate images of those they love. It comforted him. He lit his
pipe and began to write. For the moment he forgot his lameness, that
lameness which seemed to him such an insuperable barrier to his own
hopes of happiness.
Public-domain text, read in full here on John Shaqi.
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