Businessmen -- Virginia -- Fiction; Upper class -- Virginia -- Fiction; Women dancers -- France -- Fiction
VII
THE difficulties of St. Luke’s Church had been very great. The interest
on the debt was heavily in arrears, and the Ladies’ Association,
selected from the active female members of the congregation, had
labored early and late to find its share of the money. There had been
fairs and tableaux and even Mrs. Jarley’s waxworks, but none of these
things had done more than collect a tax on the members of the church.
Outsiders had been absolutely shy, and the members were beginning to
find a hole in both sides of their pockets. They made dainty articles
for sale--splashers and whiskbroom holders and aprons--and dressed
dolls and baked cakes, and then went to the bazaar and solemnly bought
them back again. It had become a little wearing on sensitive nerves and
pocketbooks.
Finally, as a brilliant climax, old Mrs. Payson conceived the idea
of a concert that would be fine enough to coax the reluctant dollars
from the Presbyterians and the Baptists, the Methodists and the
Universalists and the Catholics--in fact, an entertainment that would
draw the town. The Sunday-school hall, a gift from Dr. Barbour’s
father, was large enough to seat almost a theater audience, and it had
a fine platform, furnished with footlights, and wide enough not only
for a grand piano but for a number of famous singers.
The question of paying the singers had, at first, staggered the
ladies, but Mr. Payson had finally come to their relief. As the
wealthiest member of the congregation, he usually had to make good the
deficiencies, and he proposed to pay for some first-class performers if
the ladies of the association would guarantee that they could fill the
hall at good prices--five dollars for the best seats, two-fifty for the
second best, and one dollar and fifty cents for children. If they sold
every seat at these rates, they could cover the deficit, and Mr. Payson
would escape another and heavier levy.
It was Virginia Denbigh who finally achieved it. She had taken hold
with the ardor of youth and the executive ability which Colonel Denbigh
proudly claimed was an attribute of his family. The thing was done. The
pianist, Caraffi, was engaged and one fine singer, besides a first-rate
orchestra from out of town.
“No one,” said Virginia, “will pay to hear our own people, even if they
play better.”
The wisdom of this diagnosis of the popular sentiment was demonstrated
by the sale of tickets. As the night drew near, it became apparent
that not a seat would be vacant. The invitation to young Mrs. William
Carter was a brilliant _coup_. The town was anxious to see her and
to hear her; the announcement that she would sing--probably a French
ballad--had rushed the last seats up to a premium. For William Carter’s
sudden marriage abroad had aroused no small amount of gossip.
The hall began to fill early. Virginia Denbigh, who had come down with
her grandfather, glanced over it with a thrill of pleasure.
Public-domain text, read in full here on John Shaqi.
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