The Wild Irish Girl: A National TaleMorgan, Lady (Sydney)
General
The Wild Irish Girl: A National Tale
Morgan, Lady (Sydney)
British -- Ireland -- Fiction; Celts -- Fiction; Ireland -- Fiction; Love stories; Princesses -- Fiction
As I had previously learned my route, after a minute’s contemplation
of the scene before me, I pursued my solitary ramble along a steep and
trackless path, which wound gradually down towards a great lake, an
almost miniature sea, that lay embosomed amidst those stupendous heights
whose rugged forms, now bare, desolate, and barren, now clothed with
yellow furze and creeping underwood, or crowned with misnic forests,
appeared towering above my head in endless variety. The progress of the
sun convinced me that _mine_ must have been slow, as it was perpetually
interrupted by pauses of curiosity and admiration, and by long and many
lapses of thoughtful reverie; and fearing that I had lost my way (as I
had not yet caught a view of the village, in which, seven miles distant
from the spot where I had left the stage, I was assured I should find an
excellent breakfast,) I ascended that part of the mountain where, on one
of its vivid points, a something like a human habitation hung suspended,
and where I hoped to obtain a _carte du pays_: the exterior of this
_hut_, or _cabin_, as it is called, like the few I had seen which were
not built of mud, resembled in one instance the magic palace of Chaucer,
and was erected with loose stones,
“Which, cunningly, were without mortar laid.”
thinly thatched with straw; an aperture in the roof served rather to
_admit_ the air than _emit_ the smoke, a circumstance to which the
wretched inhabitants of those wretched hovels seem so perfectly
naturalized, that they live in a constant state of fumigation; and
a fracture in the side wall (meant I suppose as a substitute for a
casement) was stuffed with straw, while the door, off its hinges, was
laid across the threshhold, as a barrier to a little crying boy, who
sitting within, bemoaned his captivity in a tone of voice not quite so
mellifluous as that which Mons. Sanctyon ascribes to the crying children
of a certain district in Persia, but perfectly in unison with the
vocal exertions of the companion of his imprisonment, a large sow.
I approached--removed the barrier: the boy and the animal escaped
together, and I found myself alone in the centre of this miserable
asylum of human wretchedness--the residence of an _Irish peasant_.
To those who have only contemplated this useful order of society in
England, “where every rood of ground maintains its man,” and where the
peasant liberally enjoys the _comforts_ as well as the necessaries
of life, the wretched picture which the interior of an _Irish_ cabin
presents, would be at once an object of compassion and disgust. *
Public-domain text, read in full here on John Shaqi.
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