The Wild Irish Girl: A National TaleMorgan, Lady (Sydney)
General
The Wild Irish Girl: A National Tale
Morgan, Lady (Sydney)
British -- Ireland -- Fiction; Celts -- Fiction; Ireland -- Fiction; Love stories; Princesses -- Fiction
“The lower order of Irish,” she returned, “entertain a kind of
posthumous pride respecting their funerals; and from sentiments that I
have heard them express, I really believe there are many among them
who would prefer living neglected to the idea of dying unmourned, or
unattended, by a host to their last home.” To my astonishment she then
descended the bank, and, accompanied by the priest, mingled with the
crowd.
“This will surprise you,” said Glorvina; “but it is wise to comply with
those prejudices which we cannot vanquish. And by those poor people it
is not only reckoned a mark of great disrespect not to follow a funeral
(met by chance) a few paces, but almost a species of impiety.”
“And mankind, you know,” added the priest, “are always more punctilious
with respect to ceremonials than fundamentals. However, _you should_ see
an Irish Roman Catholic funeral; to a Protestant and a stranger it must
be a spectacle of some interest.
“With respect to the attendant ceremonies on death,” he continued, “I
know of no country which the Irish at present resemble but the modern
Greeks. In both countries when the deceased dies unmarried, the young
attendants are chiefly dressed in white, carrying garlands, and strewing
flowers as they proceed to the grave. Those old women who sing before
the body are professional _improvisatori_; they are called _Caoiners_ or
_Keeners_, from the _Canine_ or death song, and are _hired_ to celebrate
the virtues of the deceased. Thus we find St. Chrysostom censuring the
Greeks of his day, for the purchased lamentations and hireling mourners
that attend their funerals. And so far back with us as in the days of
druidical influence, we find it was part of the profession of the bards
to perform the funeral ceremonies, to sing to their harps the virtues of
the dead, and call on the living to emulate their deeds. * This you may
remember as a custom frequently alluded to in the poems of Ossian. **
Pray observe that frantic woman who tears her hair And beats her bosom:
’tis the mother of the deceased. She is following her only child to an
early grave; and did you understand the nature of her lamentations you
would compare them to the complaints of the mother of Euriales, in the
Æneid: the same passionate expressions of sorrow, and the same wild
extravagance of grief. They even still most religiously preserve here
that custom never lost among the Greeks, of washing the body before
interment, and strewing it with flowers.”
Public-domain text, read in full here on John Shaqi.
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