The Wild Irish Girl: A National TaleMorgan, Lady (Sydney)
General
The Wild Irish Girl: A National Tale
Morgan, Lady (Sydney)
British -- Ireland -- Fiction; Celts -- Fiction; Ireland -- Fiction; Love stories; Princesses -- Fiction
* The Caoine, or funeral song was, composed by the Filea of
the departed, set to music by one of his oirfidegh, and sung
over the grave by the racasaide, or rhapsodist, who
accompanied his “song of the tomb” with the mourning murmur
of his harp, while the inferior order of minstrels mingled
their deep-toned chorus with the strain of grief, and the
sighs of lamenting relatives breathed in unison to the
tuneful sorrow. Thus was “the stones of his fame,” raised
over the remains of the Irish chief with a ceremony
resembling that with which the death of the Trojan hero was
lamented,
“A melancholy choir attend around,
With plaintive sighs and music’s solemn sound.”
But the singular ceremonies of the Irish funeral, which are
even still in a certain degree extant, may be traced to a
remoter antiquity than Grecian o right, for the pathetic
lamentations of David for the friend of his soul, and the
conclamatio breathed over the Phoenician Dido, has no faint
coincidence to the Caoine or funeral song of the Irish.
** Thus over the tomb of Cucullin vibrated the song of the
bard, “Blessed be thy soul, son of Semo! thou wert mighty in
battle; thy strength was like the strength of the stream,
thy speed like the speed of the eagle’s wing, thy path in
battle was terrible, the steps of death were behind thy
sword; blessed be thy soul son of Semo! Carborne ohicf of
Dunscaith. The mighty were dispersed at Timo-ra--there is
none in Cormac’s hall. The king mourns in his youth, for he
does not behold thy coming; the sound of thy shield is
ceased, his foes are gathering around, Soft be thy rest in
thy cave, chief of Erin’s wars.”
“And have you also,” said I, “the funeral feast, which among the Greeks
composed so material a part of the funeral ceremonies?”
“A _wake_, as it is called among us,” he replied, “is at once the season
of lamentation and sorrow, and of feasting and amusement. The immediate
relatives of the deceased sit near the body, devoted to all the luxury
of woe, which revives into the most piercing lamentations at the
entrance of every stranger, while the friends, acquaintances, and guests
give themselves up to a variety of amusements; feats of dexterity and
even some exquisite pantomimes are performed; though in the midst of all
their games should any one pronounce an _Ave Maria_, the merry group are
in a moment on their knees; and the devotional impulse being gratified,
they recommence their sports with new vigour. The _wake_, however, is
of short duration; for here, as in Greece, it is thought an injustice to
the dead to keep them long above ground; so that interment follows death
with all possible expedition.”
Public-domain text, read in full here on John Shaqi.
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