The Wild Irish Girl: A National TaleMorgan, Lady (Sydney)
General
The Wild Irish Girl: A National Tale
Morgan, Lady (Sydney)
British -- Ireland -- Fiction; Celts -- Fiction; Ireland -- Fiction; Love stories; Princesses -- Fiction
* “Failte augus cead ro ag duine nasal.” The term gentleman,
however, is a very inadequate version of the Irish nasal,
which is an epitthet of superiority that indicates more than
mere gentility of birth can bestow, although that requisite
is also included. In a curious dialogue between Ossian and
St. Patrick, in an old Irish poem, in which the former
relates the combat between Oscar and Ilian, St, Patrick
solicits him to the detail, addressing him as “Ossian uasal,
a mhic Fionne”, “Ossian the Noble--the son of Fingal.”
So you see I hold my letter patent of nobility in my countenance, for I
had not yet divested myself of Murtoch’s costume--while in the act, the
best stool was wiped for me, the best seat at the fire forced on me, and
on being admitted into the social circle, I found its central point was
a round oaken stool heaped with smoking potatoes thrown promiscuously
over it.
To partake of this national diet I was strongly and courteously
solicited, while as an incentive to an appetite that needed none,
the old dame produced what she called a _madder_ of sweet milk, in
contradistinction to the sour milk of which the rest partook; while the
cow that sup plied the luxury slumbered most amicably with a large pig
at no great distance from where I sat, and Murtoch glancing an eye at
_both_, and then looking at me, seemed to say, “You see into what snug
quarters we have got.” While I (as I sat with my damp clothes smoking
by the turf fire, my madder of milk in one hand, and hot potatoe in the
other) assured him by a responsible glance, that I was fully sensible of
the comforts of our situation.
As soon as supper was finished the old man said grace, the family
piously blessed themselves, and the stool being removed, the hearth
swept, and the fire replenished from the bog, Murtoch threw himself
on his back along a bench, * and unasked began a song, the wild and
plaintive melody of which went at once to the soul.
When he had concluded, I was told it was the lamentation of the poor
Irish for the loss of their _glibbs_ or long tresses, of which they were
deprived by the arbitrary will of Henry VIII.--The song (composed in his
reign) is called the _Coulin_ ** which I am told is literally, the fair
ringlet.
* This curious vocal position is of very ancient origin in
Connaught, though by no means prevalent. Formerly the
songster not only lay on his back, but had a weight pressed
on his chest. The author’s father recollects having seen a
man in the county of Mayo, of the name of O’Melvill, who
sung for him in this position some years back.
** The Cualin is one of the most popular and beautiful
Irish airs estant.
Public-domain text, read in full here on John Shaqi.
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