The Wild Irish Girl: A National TaleMorgan, Lady (Sydney)
General
The Wild Irish Girl: A National Tale
Morgan, Lady (Sydney)
British -- Ireland -- Fiction; Celts -- Fiction; Ireland -- Fiction; Love stories; Princesses -- Fiction
We had now reached the ruined cloisters of the chapel, I paused to
examine their curious but dilapidated architecture when my guide,
hurrying me on, said, “if I did not quicken my pace, I should miss
getting a good view of the Prince,” who was just entering by a door
opposite to that we had passed through. Behold me then mingling among
a group of peasantry, and, like them, straining my eyes to that magnet
which fascinated every glance.
And sure, fancy, in her boldest flight, never gave to the fairy vision
of poetic dreams, a combination of images more poetically fine, more
strikingly picturesque, or more impressively touching. Nearly one half
of the chapel of Inismore has fallen into decay, and the ocean breeze
as it rushed through the fractured roof, wafted the torn banners of
the family which hung along its dismantled walls. The red beams of the
sinking sun shone on the glittering tabernacle which stood on the altar,
and touched with their golden light the sacerdotal vestments of the two
officiating priests, who ascended its broken steps at the moment that
the Prince and his family entered.
The first of this most singular and interesting group, was the venerable
Father John, the chaplain. Religious enthusiasm never gave to the
fancied form of the first of the patriarchs, a countenance of more
holy expression or divine resignation; a figure more touching by its
dignified simplicity, or an air more beneficently mild, more meekly
good. He was dressed in his pontificals, and, with his eyes bent to the
earth, his hands spread upon his breast, he joined his coadjutors.
What a contrast to this saintly being now struck my view; a form almost
gigantic in stature, yet gently thrown forward by evident infirmity;
limbs of herculean mould, and a countenance rather furrowed by the
inroads of vehement passions, than the deep trace of years. Eyes still
emanating the ferocity of an unsubdued spirit, yet tempered by a strong
trait of benevolence; which, like a glory, irradiated a broad expansive
brow, a mouth on which even yet the spirit of convivial enjoyment seemed
to hover, though shaded by two large whiskers on the upper lip, * which
still preserved their ebon hue; while time or grief had bleached the
scattered hairs which hung their snows upon the manly temple. The
drapery which covered this striking figure was singularly appropriate,
and, as I have since been told, strictly conformable to the ancient
costume of the Irish nobles.
* “I have been confidently assured, that the granfather of
the present Rt. Hon. John O’Neal, (great grandfather to the
present Lord O’Neal) the elegant and accomplished owner of
Shane’s Castle, wore his beard after the prohibited Irish
mode.”--Walker, p. 62.
Public-domain text, read in full here on John Shaqi.
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