The Wild Irish Girl: A National TaleMorgan, Lady (Sydney)
General
The Wild Irish Girl: A National Tale
Morgan, Lady (Sydney)
British -- Ireland -- Fiction; Celts -- Fiction; Ireland -- Fiction; Love stories; Princesses -- Fiction
The group that followed was grotesque beyond all powers of description.
The ancient bard, whose long white beard
“Descending, swept his aged breast,”
the incongruous costume--half modern, half antique, of the bare footed
domestics, the ostensible steward, who closed the procession--and above
all, the dignified importance of the _nurse_, who took the lead in it
immediately after her young lady; her air, form, countenance, and dress,
were indeed so singularly fantastic and _outre_, that the genius
of masquerade might have adopted her figure as the finest model of
grotesque caricature.
Conceive for a moment a form whose longitude bore no degree of
proportion to her latitude; dressed in a short jacket of brown cloth,
with loose sleeves from the elbow to the wrist, made of red camblet
striped with green, and turned up with a broad cuff--a petticoat of
scarlet frieze, covered by an apron of green serge, longitudinally
striped with scarlet tape, and sufficiently short to betray an ancle
that sanctioned all the libels ever uttered against the ancles of the
Irish fair--true national brogues set off her blue worsted stockings,
and her yellow hair, dragged over a high roll, was covered on the summit
with a little coiff, over which was flung a scarlet handkerchief, which
fastened in a large bow under her rubicund chin.
As this singular and interesting group advanced up the central aisle of
the chapel, reverence and affection were evidently blended in the looks
of the multitude which hung upon their steps; and though the Prince and
his daughter seeked to lose in the meekness of true religion all sense
of temporal inequality, and promiscuously mingled with the congregation,
yet that distinction they humbly avoided, was reverently forced on
them by the affectionate crowd, which drew back on either side as they
advanced, until the chieftain and his child stood alone in the centre
of the ruined choir, the winds of heaven playing freely amidst their
garments, the sun’s setting beam enriching their beautiful figures with
its orient tints, while he, like Milton’s ruined angel,
“Above the rest,
In shape and feature proudly eminent,
Stood like a tower;”
and she, like the personified spirit of Mercy hovered round him, or
supported more by tenderness than her strength, him from whom she could
no longer claim support.
Those gray headed domestics, too, those faith ful though but nominal
vassals, who offered that voluntary reverence with their looks, which
his repaid with fatherly affection, while the anguish of a suffering
heart hung on his pensive smile, sustained by the firmness of that
indignant pride which lowered on his ample brow!
What a picture!
Public-domain text, read in full here on John Shaqi.
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