The Wild Irish Girl: A National TaleMorgan, Lady (Sydney)
General
The Wild Irish Girl: A National Tale
Morgan, Lady (Sydney)
British -- Ireland -- Fiction; Celts -- Fiction; Ireland -- Fiction; Love stories; Princesses -- Fiction
While I felt like the victim of superstitious terror when the spectre of
its distempered fancy vanishes from its strained and eager gaze, all I
had lately seen revolved in my mind like some pictured story of romantic
fiction. I cast round my eyes; all still seemed the vision of awakened
imagination. Surrounded by a scenery grand even to the boldest majesty
of nature, and wild even to desolation--the day’s dying splendours
Awfully involving in the gloomy haze of deepening twilight--the gray
mists of stealing night gathering on the still faintly illumined surface
of the ocean, which, awfully spreading to infinitude, seemed to the
limited gaze of human vision to incorporate with the heaven whose last
glow it reflected--the rocks, which on every side rose to Alpine
elevation, exhibiting, amidst the soft obscurity, forms savagely bold or
grotesquely wild; and those finely interesting ruins which spread
grandly desolate in the rear, and added a moral interest to the emotions
excited by this view of nature in her most awful, most touching aspect.
Thus suddenly withdrawn from the world’s busiest haunts, its hackneyed
modes, its vicious pursuits, and unimportant avocations--dropped as
it were amidst scenes and mysterious sublimity--alone--on the wildest
shores of the greatest ocean of the universe; immersed amidst the
decaying monuments of past ages; still viewing in recollection such
forms, such manners, such habits (as I had lately beheld,) which to the
worldly mind may be well supposed to belong to a race long passed beyond
the barrier of existence, with “the years beyond the flood,” I felt like
the being of some other sphere newly alighted on a distant orb. While
the novel train of thought which stole on my mind, seemed to seize
its tone from the awful tranquillity by which I was surrounded, and I
remained leaning on the fragment of a rock, as the waves dashed idly
against its base, until their dark heads were silvered by the rising
moon, and while my eyes dwelt on her silent progress, the castle clock
struck nine. Thus warned, I arose to depart, yet not without reluctance.
My soul, for the first time, had here held commune with herself; the
“lying vanities” of life no longer intoxicating my senses, appeared to
me for the first time in their genuine aspect, and my heart still fondly
loitered over those scenes of solemn interest, where some of its best
feelings had been called into existence.
Public-domain text, read in full here on John Shaqi.
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