The Wild IrishmanCrosland, T. W. H. (Thomas William Hodgson)
History
The Wild Irishman
Crosland, T. W. H. (Thomas William Hodgson)
National characteristics, Irish
“And for love knocks him down” is quite in the “rale ould” spirit. A
spectator[1] of the Donnybrook held on the 29th August 1828, described
it as follows: “I rode out again to-day for the first time, to see the
fair at Donnybrook, near Dublin, which is a kind of popular festival.
Nothing, indeed, can be more national! The poverty, the dirt, and the
wild tumult were as great as the glee and merriment with which the
cheapest pleasures were enjoyed. I saw things eaten and drunk with
delight, which forced me to turn my head quickly away, to remain master
of my disgust. Heat and dust, crowd and stench made it impossible to stay
long; but these do not annoy the natives. There were many hundred tents,
all ragged, like the people, and adorned with tawdry rags instead of
flags; many contented themselves with a cross on a hoop; one had hoisted
a dead and half-putrid cat as a sign. The lowest sort of rope-dancers and
posture-makers exercised their toilsome vocation on stages of planks,
and dressed in shabby finery, dancing and grimacing in the dreadful heat
till they were completely exhausted. A third part of the public lay, or
rather rolled, about drunk; others ate, screamed, shouted and fought. The
women rode about, sitting two or three upon an ass, pushing their way
through the crowd, smoked with great delight, and coquetted with their
sweethearts.” It is notable, however, that our eye-witness continues:
“My reverence for truth compels me to add, that not the slightest trace
of English brutality was to be perceived; they were more like French
people, though their gaiety was mingled with more humor and more genuine
good-nature; both of which are national traits of the Irish, and are
always doubled by poteen.”
Not only is Donnybrook gone, but the whole atmosphere which rendered
Donnybrook possible appears to have gone with it. The knocking down of a
friend for love or out of sheer gaiety and volatility of soul no longer
ranks among the Irishman’s accomplishments. If he fights at all, which
is seldom, he fights now with clenched teeth and a fierce hatred at his
heart, and usually it is about religion and has nothing whatever to do
with either fun or poteen. In Dublin no more fighting goes on than occurs
in the average English city of the same size. In Belfast the fighting is
frequent, but it is eminently Scotch, and therefore not to be charged
against Ireland. Out of Ulster, there is scarcely any fighting at all,
poteen or no poteen. At the same time in one city out of Ulster, which I
will not name, I was advised by the proprietor of an hotel to prolong my
stay because “we are expecting riots on Monday.” Whether the riots came
off or not I do not know, but I saw no accounts of them in the papers.
Public-domain text, read in full here on John Shaqi.
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