Close by the creek grows one of the loveliest of the wild trees, the
native cherry (_Exocarpus cupressiformis_). There is quite an old-world
charm in its formal cypress shape, which seems to reprove the irregular
gums and she-oaks; and the gold-green of its tender tips stands out in
lovely contrast against the blue-green and silver-grey of the other
trees. When the setting sun catches it through the taller tree trunks
it glows like a fairy Christmas tree, and one can picture the little
folk dancing round it in a ring. It grows at the very edge of the once
cultivated plot, and I think the planner of that garden must have
stopped short just there in order to save the lovely thing. Beyond all
this is natural bush, with tall spotted pink orchids pushing through in
the spring-time, under the golden pultenea and dillwynia, and in summer
a white cloud of snowbush.
There is a peculiar fascination in the mixing of wild and tame in that
wilderness. The white shasta daisies growing higher than my head in
their effort to see the sun through the too protective red-shooted
gums; the orange-flowered mistletoe drooping from the tall ironbark to
touch the appletree below, seem to me symbolical of that mixing which
should come so naturally between things--and people--of this land and
of the old.
[Illustration: _The orange-flowered Mistletoe_]
Of all the trees in the wilderness there is none which so completely
satisfies me as the white cedar (_Melia composita_). It grows on the
upper edge, close to my verandah, and I know it through every varying
phase. I never can decide in which season I love it most. It is one of
our few deciduous trees, and after its pale golden leaves have dropped
it is bare for a short space. Then a soft mauve mist breaks over it,
and it is covered with a myriad lilac-coloured, lilac-scented blossoms,
which pour their perfume lavishly into the world. I think it is a much
lovelier tree than the lilac, for, while its colour is not so deep,
the flowers grow in much lighter, more feathery fashion, and the whole
effect is that of a mass of misty lace. While the blossoms are at their
sweetest the little green leaf-tips have been bursting through. They
grow swiftly from slender fingers to waving tassels, and then to open
fans, and by the time the flowers are finished the tree is dressed in
a beautiful fern-like foliage of glossy green. Nor do its charms end
here. The flowers have left behind them hundreds of small green fruits,
which grow and ripen, and by the time the autumn comes again and the
leaves begin to fall they are ready to provide a beautiful feast for
the birds. And so comes the white cedar’s crowning charm.
A tree without birds in its branches is like a room without books on
its shelves--the birds are the crowning charm. The poet knew that when
he wrote ecstatically of--
A tree that may in summer wear
A nest of robins in her hair.
Public-domain text, read in full here on John Shaqi.
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