The will to live (Les Roquevillard) : $b A novelBordeaux, Henry
General
The will to live (Les Roquevillard) : $b A novel
Bordeaux, Henry
Elopement -- Fiction; Families -- Fiction; France -- Fiction; French fiction -- Translations into English
“Your father must have been handsomer than you,” she said, and added,
quite low, as if to herself: “He’ll find out what he wants to, your
father.”
The young man maintained a perverse silence.
“How old is your father?” she asked again, smiling at her success in
having annoyed him.
“Sixty, I think.”
“Sixty years. Well, he detests me. If he could, he would suppress me
with great pleasure.”
“You’re mistaken: he always welcomes you here.”
“Oh, those things can be felt. He detests me, and yet he interests me.
I’ve always liked characters, myself.”
Just before the top of the hill the path turned and disclosed a new
view framed between the embankment on the right and the border of
shrubs on the left, their leaves half coloured and mingling the green
of spring with autumnal gold. Le Nivolet came abruptly into view, with
its regular architectural lines and gradients, re-echoing the glory of
the vanished sun.
The slender thickets that clung to its rocky sides took on a tint of
violet like the dregs of wine, while the chain of Margeria behind it
showed quite rosy and charming, in its tones of flesh-colour.
“See, what a change in the scene,” murmured Maurice,
not noticing that his companion paid heed much sooner to
the fact of their being alone than to the marvels of the evening light.
She halted in their walk, and he turned back toward her.
“What’s the matter? Are you tired?”
“Oh, no. I’m only giving you time to admire the landscape.”
“Would you be jealous?”
“Yes, you love your country, and I----”
“And you?”
“I shan’t say the rest----”
“But I’ll say it. I’ll tell you how I love you.”
He took her in his arms. She was a thin, dark woman, with large eyes;
her flesh firm and her caresses melting. As she turned her head a
little he could see, beneath the half-closed and palpitant pupils,
that look of black and gold in which all the voluptuous anguish of the
season and the hour were reflected.
“How little she seems against my breast,” he thought, as he clasped her
to him; “a little thing, yet more to me than all the world.” Aloud he
murmured:
“I love you, Edith.”
“Really?” she said, with her same purposed smile.
“When will you be mine?”
“When I can be only yours.”
“But that’s impossible.”
“Why?
“You are bound.”
“We could go away together.”
“What should we live on?”
“On my dot.”
“I couldn’t do that. And, besides, you haven’t the control of it.”
“I can take it back.”
“No--no!”
“You could work.”
He was silent. She paid him back in irony, almost in irritation.
“Oh, you prefer to mind your father. Well, be like him, then, a big man
in a little village, with a lot of children.”
She caught an expression of such sadness on his face at this that she
blotted it out against her heart.
“Oh, I love you,” she cried, “and I torment you. But don’t you see, I’m
suffocated here in Chambéry. I want to get away from it, to love you
freely, to live. I’ve a horror of falsehood. And you, you don’t love
me.”
Public-domain text, read in full here on John Shaqi.
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