The will to live (Les Roquevillard) : $b A novelBordeaux, Henry
General
The will to live (Les Roquevillard) : $b A novel
Bordeaux, Henry
Elopement -- Fiction; Families -- Fiction; France -- Fiction; French fiction -- Translations into English
Her father had heard her, and was already opening the door of his study
to let her in.
“Well, Margaret?”
“Father, I couldn’t find him.”
They said little, but, nevertheless, both father and daughter felt
all the secret suspense and anguish of some menaced evil--an evil
greater than those which youth is usually guilty of, they felt, for
they had a foreboding fear of the strength of Mrs. Frasne.
III
THE CALVARY OF LEMENC
ON leaving his father’s house Maurice Roquevillard crossed to the other
side of the town and made his way straight up to the Calvary of Lemenc,
the place where Mrs. Frasne had appointed that they should meet.
The choice of this place in itself was a defiance of public opinion.
It was a hill that dominated all Chambéry and was visible from
all sides. In the old days it had been only a bare rock, of such
considerable strategic importance that in the times of the old dukes
there had been a beacon there, answering the signals of Lepine and
Guet, those forward-thrusting summits that stand like redoubtable
sentinels on the frontiers of France. You reach it nowadays by a path
which rises upward from the Reclus district, above the railways,
and follows on one side the high walls of a convent, and on the
other a series of miserable one-story dwellings. At the end of this
defile you come out into the country, and find yourself opposite a
little hill, crowned no longer now with works of war, but with a chapel
that stands out against the dear and distant background of the Revard
hills and Nivolet. From there on the path is quite open. A thin border
of acacias gives it scant protection. Cut into the very rock, it crowds
out the meagre grass. Some unfinished stations of the cross, with empty
niches, occur at intervals on the way up. It is an abandoned promenade,
where even if you are visible from a distance you do not ever meet a
soul.
The little chapel of the cross, Byzantine in style, consists of a dome
and peristyle resting on four columns, their bases raised a few steps
above the ground. An archbishop of Chambéry was buried there in 1889.
His tomb is cut in the rock, and the interior of the monument is quite
empty.
From the first station at the foot of the path Maurice could
distinguish a figure seated on the steps between the columns. It was
she, waiting for him. In vain, beside her, the pale gold branches of
the acacias lightly showed their delicate sprays; in vain the purple
mountains rose before him in their autumn light: he saw only her,
framed at the foot of the cross. Her elbows on her knees, she rested
her face upon her two hands, the fingers open and showing rosy and
transparent in the sunlight. Motionlessly with her eyes of fire she
watched him coming. He hastened to her all out of breath. When he
was near her she rose with a single, unsuspected movement, like a
careless fawn that surprises you with its unexpected play of muscles.
Public-domain text, read in full here on John Shaqi.
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