I was half-way out, kneeling on all fours, when my eye first took in
that the tops of the bushes opposite, with their moving tracery of
leaves, made shapes against the sky. I sat back on my haunches and
stared. It was incredible, surely, but there, opposite and slightly
above me, were shapes of some indeterminate sort among the willows, and
as the branches swayed in the wind they seemed to group themselves
about these shapes, forming a series of monstrous outlines that shifted
rapidly beneath the moon. Close, about fifty feet in front of me, I saw
these things.
My first instinct was to waken my companion, that he too might see
them, but something made me hesitate—the sudden realization, probably,
that I should not welcome corroboration; and meanwhile I crouched there
staring in amazement with smarting eyes. I was wide awake. I remember
saying to myself that I was _not_ dreaming.
They first became properly visible, these huge figures, just within the
tops of the bushes—immense, bronze-colored, moving, and wholly
independent of the swaying of the branches. I saw them plainly and
noted, now I came to examine them more calmly, that they were very much
larger than human, and indeed that something in their appearance
proclaimed them to be _not human_ at all. Certainly they were not
merely the moving tracery of the branches against the moonlight. They
shifted independently. They rose upwards in a continuous stream from
earth to sky, vanishing utterly as soon as they reached the dark of the
sky. They were interlaced one with another, making a great column, and
I saw their limbs and huge bodies melting in and out of each other,
forming this serpentine line that bent and swayed and twisted spirally
with the contortions of the wind-tossed trees. They were nude, fluid
shapes, passing up the bushes, _within_ the leaves almost—rising up in
a living column into the heavens. Their faces I never could see.
Unceasingly they poured upwards, swaying in great bending curves, with
a hue of dull bronze upon their skins.
I stared, trying to force every atom of vision from my eyes. For a long
time I thought they _must_ every moment disappear and resolve
themselves into the movements of the branches and prove to be an
optical illusion. I searched everywhere for a proof of reality, when
all the while I understood quite well that the standard of reality had
changed. For the longer I looked the more certain I became that these
figures were real and living, though perhaps not according to the
standards that the camera and the biologist would insist upon.
Public-domain text, read in full here on John Shaqi.
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