Rouletta and the Countess Courteau fell silent now. They found nothing
to talk about, and in spite of themselves they strained their ears for
some sound from the other room. Even Miss Cavendish seemed vaguely to
feel the suspense, for she finally took her stand beside a frost-rimed
window and engaged herself in tracing patterns thereon with the tip of
her finger. An occasional stormy murmur of voices, deadened by the
thick log partition, indicated that Laure and her inquisitor were not
getting on well together.
Suddenly the girl at the window started; her apathy vanished; her
expression of boredom gave place to one of such lively anticipation as
to draw the attention of the two other women. A magic change came over
her; she became suddenly animated, alive, atingle in every nerve; her
eyes sparkled and a new color flooded her cheeks. The alteration
interested her observers; they were mystified as to its cause until a
quick step sounded in the entry and the door opened to admit Pierce
Phillips.
It was natural that he should first see Miss Cavendish, and that he
should greet her before recognizing the other occupants of the room. It
was natural, too, that he should be a trifle nonplussed at finding
Hilda here; nevertheless, he managed to cover his lack of ease. Not so,
however, when, a moment later, the door to Colonel Cavendish's office
opened and Laure, of all persons, appeared therein. Quickly Pierce
inferred the reason for his summons, but, happily for him, he was
spared further embarrassment. Cavendish called to him, took him by the
hand in the friendliest manner, and again disappeared into his retreat,
drawing the young man with him.
Brief as had been the interruption, both Hilda and Rouletta had
gathered much from it; their inference was borne out when Laure paused
before them and in a voice subdued by the very force of her agitation
exclaimed:
"Well, I hope you're satisfied! I got it, and got it good." Her face
was livid, her dark eyes were blazing wrathfully. She outthrust a
shaking hand and unclenched her fingers, displaying therein a crumpled
sheet of pink paper, a printed official form, the telltale tint of
which indicated its fateful character. Both of her hearers were
familiar with the so-called "pink tickets" of the Mounted Police; every
one in the Northwest Territory, in fact, knew what they
were--deportation orders. But in a tone hoarse and suppressed Laure
read, "'--leave by the first safe conveyance!' That's what it says--the
first safe conveyance. I suppose you'd like it better if it were a blue
ticket and I had to leave in twenty-four hours. You put it over, but I
won't forget. I'll get even with you."
"We had nothing to do with that," the Countess declared, quietly. "I'm
sorry you take it so hard, but--it serves you right."
Public-domain text, read in full here on John Shaqi.
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