The maid ceased bowing, too insulted to retort. The piece of
silver--she would have stooped for gold, just as surely as she would
have recognized its ring--lay where it fell. Ranjoor Singh stepped
forward toward a glass-bead curtain through which a soft light shone,
and an unexpected low laugh greeted him. It was merry, mocking,
musical--and something more. There was wisdom hidden in
it--masquerading as frivolity; somewhere, too, there was
villainy-villainy that she who laughed knew all about and found more
interesting than a play.
Then suddenly the curtain parted, and Yasmini blocked the way, standing
with arms spread wide to either door-post, smiling at him; and Ranjoor
Singh had to stop and stare whether it suited him or not.
Yasmini is not old, nor nearly old, for all that India is full of tales
about her, from the Himalayas to Cape Comorin. In a land where twelve
is a marriageable age, a woman need not live to thirty to be talked
about; and if she can dance as Yasmini does--though only the Russian
ballet can do that--she has the secret of perpetual youth to help her
defy the years. No doubt the soft light favored her, but she might have
been Ranjoor Singh's granddaughter as she barred his way and looked him
up and down impudently through languorous brown eyes.
"Salaam, O plowman!" she mocked. She was not actually still an instant,
for the light played incessantly on her gauzy silken trousers and
jeweled slippers, but she made no move to admit him. "My honor grows!
Twice--nay, three times in a little while!"
She spoke in the Jat tongue fluently; but that was not remarkable,
because Yasmini is mistress of so many languages that men say one can
not speak in her hearing and not be understood.
"I am a soldier," answered Ranjoor Singh more than a little stiffly.
"'I am a statesman,' said the viceroy's babu! A Sikh is a Jat farmer
with a lion's tail and the manners of a buffalo! Age or gallantry will
bend a man's back. What keeps it straight--the smell of the farmyard on
his shoes?"
Ranjoor Singh did not answer, nor did he bow low as she intended. She
forgot, perhaps, that on a previous occasion he had seen her snatch a
man's turban from his head and run with it into the room, to the man's
sweating shame. He kicked his shoes off calmly and waited as a man
waits on parade, looking straight into her eyes that were like dark
jewels, only no jewels in the world ever glowed so wonderfully; he
thought he could read anger in them, but that ruffled him no more than
her mockery.
"Enter, then, O farmer!" she said, turning lithely as a snake, to
beckon him and lead the way.
Now he had only a back view of her, but the contour of her neck and
chin and her shoulders mocked him just as surely as her lips were
making signals that he could not see. One answer to the signals was the
tittering of twenty maids, who sat together by the great deep window,
ready to make music.
Public-domain text, read in full here on John Shaqi.
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