_Der Katzensteg_ is more powerful but less artistic than _Frau Sorge_. The German critics, however, consider it to be not only the most important of Sudermann's writings, but the finest novel produced in Germany during this century. The character of the heroine, Regine, a veritable child of nature, in whom savagery and lack of intelligence and education exist side by side with the nobility and power of sacrifice, of which nature in the rough is often capable, forms the main interest of the tale, and is a marvellous and original conception. There is one scene that for realism, intensity, and horror has scarcely been surpassed in any novel of modern times. Before turning to the short tales in which we find some of Sudermann's best and most characteristic work, it would be well to point out one of his chief titles to genius. He has the gift of being able to describe terrible and heart-stirring scenes, joyful or pathetic or humorous scenes, with the utmost simplicity of style. In a few words of the simplest sort he brings before our eyes living pictures. Each sentence palpitates with life. As we read, we seem to live with the men and women of his creation through their agony; we suffer as they do, and rejoice with them when they are glad: at times we are breathless as they are with suspense and excitement. And this is done without any of the analytical introspection with which we have become only too familiar in recent novels. The characters, at least in the novels and tales, are not mere nervous organisms, but livings loving, erring, feeling, human beings. The gift of terse narration joined to great simplicity of language is found in French writers like Flaubert and Maupassant, but it is new to Germany. It is, then, perhaps, Sudermann's highest praise that we can say of him that he possesses the strength without the unpleasantness of the great French writers of our day, and combines their artistic feeling, their power and their fine wit with all that is soundest and best in the Teutonic mind and character.