"So we have," said Clarence. "Come now--all out. We are going over
to rehearse on the august boards of the opera house, and then we are
going home for brief bites, and then we are going back for a dress
rehearsal. Tomorrow night is the night, and may the Lord have mercy
on your souls!"
At this reminder Clarence's weary company bestirred itself. The
principals had been rehearsing, as usual, at the Hewitt house. They
were to meet the chorus, it appeared, at the village opera house,
and go through the whole thing there with the orchestra of tomorrow
night; a kind-hearted orchestra which was willing to rehearse twice.
"Why any of us ever began this thing, I _don't_ see," growled
John, as he deftly captured Joy, having made a neat flank movement
which prevented Clarence from getting her. "Do you know, Joy"--he
was putting her cloak on for her in the hall by this time--"I've
seen about half as much of you as I would if I hadn't been lured
into this. The rest of this week, after tomorrow night, you are
going to have to spend exclusively in spoiling me. I'm twice as
deserving as a high-school girl, and three times as deserving as
Clarence and Tiddy. And I've more right to you, besides."
"If you want rights, sometimes you have to take them," said Joy
demurely.
He laughed.
"Is that a suggestion? If so, it's an excellent one. Consider
yourself thoroughly taken. You are not to be discovered in corners
with Clarence, nor showing Tiddy how his steps should go."
But Joy only laughed.
There was little time for discussion after that. They rehearsed
steadily, with the frenzied feeling of unpreparedness that only
amateurs can fully know, till it was more than time for the "brief
bite" of Clarence's description. Then the choruses were shepherded
over to the Hewitt house and the Maddox house respectively, and fed,
Clarence and Tiddy standing over them to see that no time was wasted.
Then they went back, and went through the whole opera. The audience
consisted of a few carefully chosen relatives who had insisted on
being there, including the Harrington children. Phyllis was letting
them see the dress rehearsal instead of the real performance,
because the latter was to end with a dance, and there would have
been some difficulty in tearing Philip away while things were still
going on. The dress rehearsal promised to be over by nine-thirty,
for they had started at six, and were sweeping through without a
break, happily unconscious that Clarence intended them to do it all
over again with all the mistakes severely corrected, as soon as they
had ended the final chorus.
"Gail, that isn't the way to do it," Clarence called to her sharply,
as she danced in with the minimum of effort, in the "Good morrow,
good mother" song that she had with Joy and Tiddy, respectively
_Iolanthe_ and _Strephon_. "Pick up your feet. You'll be down
over that garland in the corner if you don't look out."
Public-domain text, read in full here on John Shaqi.
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