"I'll pick them up tomorrow night," said Gail, pausing to answer
him. "No use putting all this work on rehearsal."
She was undoubtedly right. And undoubtedly the garland had no
business to swing so loose, as Clarence himself afterwards admitted.
But the fact remained. As Gail stepped reluctantly back, and
recommenced her song, her high-heeled slipper caught in the swinging
garland, and she came down flat, with the ankle badly turned under her.
The opera stopped short while the others crowded around her and
tried to find out how badly she was hurt. She sat up straight and
tried to smile-Gail disliked having or showing feelings of any
sort--but she was white with the pain, and when she tried to stand
on the ankle it hurt her, as she admitted.
They carried her off the stage in a chair, and John, who was donning
his robes in the other dressing-room, was hurried over to see how
badly she was hurt.
"Don't stop for me, Clarence," Gail ordered. "On with the dance, let
Joy be unrefined. That is, if she can. I know you're hungering to
lash your wretched infant-school forward."
Clarence remarked that she was plucky, patted her shoulder, and went
thankfully off to put his chorus through an evolution or so while he
could.
John, meanwhile, with Phyllis' help, took off the pretty pink satin
slipper, with its rosette, and the pink silk stocking, and found
that Gail's ankle was badly sprained. They did it up properly, and
Phyllis took Gail home.
"Now what shall we do?" demanded Clarence at the end of the act,
pushing the Lord Chancellor's wig to one side, and staring around him.
"What about Gail's guest, the one that's coming down tomorrow?"
offered Tiddy.
"We have her cast, anyway," Clarence answered dolefully.
"She's played Celia, the one that's a sort of lieutenant-fairy, before,
and I remember the time I had getting her to memorize her words--not
a long part at all. She could no more play Phyllis than I can."
"Were you talking about the part, or about me?"' asked Phyllis
Harrington, coming in again.
"How is Gail?" asked everybody.
"Ask John," said Phyllis. "Her ankle seems to be hurting her badly,
poor girl. I hope it will be all right tomorrow night. I made her go
to bed, and her mother is sworn to make her stay there. I'll go
through her part for her now, Clarence, if it will be any help."
Clarence stared at her.
"Can you?" he asked.
"Well, I know the words," said Phyllis. "And I don't think she will
be able to rehearse again. It will be as much as she can do to get
up tomorrow night and go through it."
John shook his head. "I'm afraid she won't be able to do even that,"
he said.
"Then you'll have to take the part, Phyllis!" said Clarence with a
sudden decision. "Never mind dressing now. Take your hat off and see
what you can do."
"Understand, I'm only holding it," said Phyllis, but she would have
been more than human if she had not flushed a little with pleasure
at the idea.
Public-domain text, read in full here on John Shaqi.
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