American literature -- Humor; American wit and humor
"Now, when a team like Cap. and Mac took to pulling together, there just
naturally had to be something doing. They began with a small show under
canvas, and their main card was a twenty-foot boa-constrictor, which
they billed as 'Mighty Mardo.' Then they had a boy with three legs, one
of which they neglected to state was made of wood; also a blushing
damsel with excess embonpoint to the extent of four hundred pounds. With
this outfit they campaigned for one season; in the fall they bought a
museum in St. Louis and settled themselves as impresarios.
"Now, in my numerous meetings with Cap. I had never thought to ask his
name, so when I saw an 'ad' in the _Clipper_ stating that Sheldon &
McClintock was in need of a good full-toned lecturer that doubled in
brass, I just sat me down in my ignorance and dropped them a line. They
sent me a ticket to where I was sidetracked up in Michigan, and I
hurried down.
"'Oh, it's you, is it?' says Cap., as I piked into the ten by twelve
office and announced myself. 'Well, I've heard you throw a spiel and
think you'll do. But I didn't know that you played brass. What's your
instrument?'
"Now, I had a faint sentiment from the beginning that this clause in
their bill of requirements would get me into trouble, for I knew no more
about band music than a he goat knows about the book of common prayer.
"'I do the cymbals,' says I.
"'What!' snorts Cap., rearing up; 'I thought you wrote that you played
brass?'
"'Well,' says I, 'ain't cymbals brass?'
"It must have been my cold nerve that won Cap.'s regard, for he placed
me as 'curio hall' lecturer and advertising man at twenty a week.
"The museum of Sheldon & McClintock proved to be a great notch. More
fake freaks were thought out, worked up and exhibited during the course
of that winter season than I would care to count. Then there was a small
theater attached in which they put on very bad specialties and where
painful-voiced young men and women warbled sentimental ballads about
their childhood homes and stuff of that character. These got about ten
dollars a week and had to do about thirty turns a day; they lived in
their make-up and got so accustomed to grease paint before the end of
their engagements that they felt only half dressed without it.
"The trick made money, and in about a year McClintock cut loose and went
into a patent promoting scheme.
"Shortly afterward the first 'continuous house' was opened in St. Louis,
and the novelty of the thing was a body blow to Cap. He made a good
fight, but lost money every day; and at last he imparted to me in
confidence that if business did not improve he could see himself getting
out the shells and limbering up on them preparatory to going out and
facing the world once more.
"'The bank will stand for three hundred thousand dollars' worth more of
my checks,' says he, 'and after they're used up I'm done.'
Public-domain text, read in full here on John Shaqi.
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