When an artist came to paint my portrait amid such rustic
surroundings, the bird only eyed her a little suspiciously at
first, and then went forward with her own affairs. One night the
wind blew the easel with its canvas over against the haymow where
the nest was placed, but the bird was there on her eggs in the
morning. Her wild instincts did not desert her in one respect, at
least: when I would flush her from the nest she would drop down
to the floor and with spread plumage and fluttering movements
seek for a moment to decoy me away from the nest, after the habit
of most ground-builders. The male came about the barn frequently
with three or four other juncos, which I suspect were the first or
June brood of the pair, now able to take care of themselves, but
still held together by the family instinct, as often happens in
the case of some other birds, such as bluebirds and chickadees.
My little mascot hatched all her eggs, and all went well with
mother and young until, during my absence of three or four days,
some night-prowler, probably a rat, plundered the nest, and the
little summer idyl in the heart of the old barn abruptly ended. I
saw the juncos no more.
While I was so closely associated with the junco in the old barn
I had a good chance to observe her incubating habits. I was
surprised at the frequent and long recesses that she took during
school-hours. Every hour during the warmest days she was off from
ten to twelve minutes, either to take the air or to take a bite,
or to let up on the temperature of her eggs, or to have a word
with her other family; I am at a loss to know which. Toward the
end of her term, which was twelve days, and as the days grew
cooler, she was not gadding out and in so often, but kept her
place three or four hours at a time.
When the young were hatched they seemed mainly fed with
insects--spiders or flies gathered off the timbers and clapboards
of the inside of the barn. It was a pretty sight to see the
mother-bird making the rounds of the barn, running along the
timbers, jumping up here and there, and seizing some invisible
object, showing the while her white petticoats--as a French girl
called that display of white tail-feathers.
Public-domain text, read in full here on John Shaqi.
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