The Witch, and Other StoriesChekhov, Anton Pavlovich
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The Witch, and Other Stories
Chekhov, Anton Pavlovich
Chekhov, Anton Pavlovich, 1860-1904 -- Translations into English; Russia -- Social life and customs -- Fiction; Short stories
The tramp blinked guiltily, wiped the tiny drops of sweat from his
forehead with his sleeve, drew a deep breath as though he had just leapt
out of a very hot bath, then wiped his forehead with the other sleeve
and looked round fearfully.
“That’s true; you won’t get there!” Ptaha agreed. “You are not much of a
walker! Look at you--nothing but skin and bone! You’ll die, brother!”
“Of course he’ll die! What could he do?” said Nikandr. “He’s fit for the
hospital now.... For sure!”
The man who had forgotten his name looked at the stern, unconcerned
faces of his sinister companions, and without taking off his cap,
hurriedly crossed himself, staring with wide-open eyes.... He trembled,
his head shook, and he began twitching all over, like a caterpillar when
it is stepped upon....
“Well, it’s time to go,” said Nikandr, getting up; “we’ve had a rest.”
A minute later they were stepping along the muddy road. The tramp was
more bent than ever, and he thrust his hands further up his sleeves.
Ptaha was silent.
THE PIPE
MELITON SHISHKIN, a bailiff from the Dementyev farm, exhausted by
the sultry heat of the fir-wood and covered with spiders’ webs and
pine-needles, made his way with his gun to the edge of the wood. His
Damka--a mongrel between a yard dog and a setter--an extremely thin
bitch heavy with young, trailed after her master with her wet tail
between her legs, doing all she could to avoid pricking her nose. It was
a dull, overcast morning. Big drops dripped from the bracken and from
the trees that were wrapped in a light mist; there was a pungent smell
of decay from the dampness of the wood.
There were birch-trees ahead of him where the wood ended, and between
their stems and branches he could see the misty distance. Beyond the
birch-trees someone was playing on a shepherd’s rustic pipe. The player
produced no more than five or six notes, dragged them out languidly
with no attempt at forming a tune, and yet there was something harsh and
extremely dreary in the sound of the piping.
As the copse became sparser, and the pines were interspersed with young
birch-trees, Meliton saw a herd. Hobbled horses, cows, and sheep were
wandering among the bushes and, snapping the dry branches, sniffed at
the herbage of the copse. A lean old shepherd, bareheaded, in a torn
grey smock, stood leaning against the wet trunk of a birch-tree. He
stared at the ground, pondering something, and played his pipe, it
seemed, mechanically.
“Good-day, grandfather! God help you!” Meliton greeted him in a thin,
husky voice which seemed incongruous with his huge stature and big,
fleshy face. “How cleverly you are playing your pipe! Whose herd are you
minding?”
“The Artamonovs’,” the shepherd answered reluctantly, and he thrust the
pipe into his bosom.
“So I suppose the wood is the Artamonovs’ too?” Meliton inquired,
looking about him. “Yes, it is the Artamonovs’; only fancy... I
had completely lost myself. I got my face scratched all over in the
thicket.”
Public-domain text, read in full here on John Shaqi.
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