And yet such sudden changes take place daily in the world of crime and
passion. In one uncalled-for confession, of which it is hard to trace
the smallest reasonable cause, the intricate wickednesses of a lifetime
are revealed and repeated; in the mysterious impulse of a moment the
murderer turns back and delivers himself to justice; under an influence
for which there is often no accounting, the woman who has sinned
securely through long years lays bare her guilt and throws herself
upon the mercy of the man whom she has so skilfully and consistently
deceived. We know the fact. The reason we cannot know. Perhaps, to
natures not wholly bad, sin is a poison of which the moral organization
can only bear a certain fixed amount, great or small, before rejecting
it altogether and with loathing. We do not know. We speak of the
workings of conscience, not understanding what we mean. It is like that
subtle something which we call electricity; we can play with it, command
it, lead it, neutralise it and die of it, make light and heat with it,
or language and sound, kill with it and cure with it, while absolutely
ignorant of its nature. We are no nearer to a definition of it than the
Greek who rubbed a bit of amber and lifted with it a tiny straw, and
from amber, Elektron called the something electricity. Are we even as
near as that to a definition of the human conscience?
The change that had come over Unorna, whether it was to be lasting or
not, was profound. The circumstances under which it took place are plain
enough. The reasons must be left to themselves--it remains only to tell
the consequences which thereon followed.
The first of these was a hatred of that extraordinary power with which
nature had endowed her, which brought with it a determination never
again to make use of it for any evil purpose, and, if possible, never
even for good.
Public-domain text, read in full here on John Shaqi.
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