But as though her unhappy fate were for ever fighting against her good
impulses, that power of hers had exerted itself unconsciously, since
her resolution had been formed. Keyork Arabian’s words, and his evident
though unspoken disbelief in her denial, showed that he at least was
convinced of the fact that the Wanderer was not sleeping a natural
sleep. Unorna tried to recall what she had done and said, but all was
vague and indistinct. Of one thing she was sure. She had not laid her
hand upon his forehead, and she had not intentionally done any of those
things which she had always believed necessary for producing the results
of hypnotism. She had not willed him to do anything, she thought and she
felt sure that she had pronounced no words of the nature of a command.
Step by step she tried to reconstruct for her comfort a detailed
recollection of what had passed, but every effort in that direction was
fruitless. Like many men far wiser than herself, she believed in the
mechanics of hypnotic science, in the touches, in the passes, in the
fixed look, in the will to fascinate. More than once Keyork Arabian had
scoffed at what he called her superstitions, and had maintained that
all the varying phenomena of hypnotism, all the witchcraft of the darker
ages, all the visions undoubtedly shown to wondering eyes by mediaeval
sorcerers, were traceable to moral influence, and to no other cause.
Unorna could not accept his reasoning. For her there was a deeper and
yet a more material mystery in it, as in her own life, a mystery which
she cherished as an inheritance, which impressed her with a sense of
her own strange destiny and of the gulf which separated her from other
women. She could not detach herself from the idea that the supernatural
played a part in all her doings, and she clung to the use of gestures
and passes and words in the exercise of her art, in which she fancied
a hidden and secret meaning to exist. Certain things had especially
impressed her. The not uncommon answer of hypnotics to the question
concerning their identity, “I am the image in your eyes,” is undoubtedly
elicited by the fact that their extraordinarily acute and, perhaps,
magnifying vision, perceives the image of themselves in the eyes of
the operator with abnormal distinctness, and, not impossibly, of a
size quite incompatible with the dimensions of the pupil. To Unorna the
answer meant something more. It suggested the actual presence of the
person she was influencing, in her own brain, and whenever she was
undertaking anything especially difficult, she endeavoured to obtain the
reply relating to the image as soon as possible.
In the present case, she was sure that she had done none of the things
which she considered necessary to produce a definite result. She was
totally unconscious of having impressed upon the sleeper any suggestion
of her will. Whatever she had said, she had addressed the words to
herself without any intention that they should be heard and understood.
Public-domain text, read in full here on John Shaqi.
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