Very soon the moment of action came. The singing died away, the
benediction was given, the second Gospel was read, the priest and the
people repeated the Bohemian prayers, and all was over. The countless
heads began to move onward, the shuffling of innumerable feet sent
heavy, tuneless echoes through vaulted space, broken every moment by the
sharp, painful cough of a suffering child whom no one could see in the
multitude, or by the dull thud of some heavy foot striking against the
wooden seats in the press. The Wanderer moved forward with the rest.
Reaching the entrance of the pew where she had sat he was kept back
during a few seconds by the half dozen men and women who were forcing
their way out of it before him. But at the farthest end, a figure
clothed in black was still kneeling. A moment more and he might enter
the pew and be at her side. One of the other women dropped something
before she was out of the narrow space, and stooped, fumbling and
searching in the darkness. At the minute, the slight, girlish figure
rose swiftly and passed like a shadow before the heavy marble monument.
The Wanderer saw that the pew was open at the other end, and without
heeding the woman who stood in his way, he sprang upon the low seat,
passed her, stepped to the floor upon the other side and was out in
the aisle in a moment. Many persons had already left the church and the
space was comparatively free.
She was before him, gliding quickly toward the door. Ere he could reach
her, he saw her touch the thick ice which filled the marble basin, cross
herself hurriedly and pass out. But he had seen her face again, and he
knew that he was not mistaken. The thin, waxen features were as those of
the dead, but they were hers, nevertheless. In an instant he could be by
her side. But again his progress was momentarily impeded by a number of
persons who were entering the building hastily to attend the next Mass.
Scarcely ten seconds later he was out in the narrow and dismal passage
which winds between the north side of the Teyn Kirche and the buildings
behind the Kinsky Palace. The vast buttresses and towers cast deep
shadows below them, and the blackened houses opposite absorb what
remains of the uncertain winter’s daylight. To the left of the church a
low arch spans the lane, affording a covered communication between the
north aisle and the sacristy. To the right the open space is somewhat
broader, and three dark archways give access to as many passages,
leading in radiating directions and under the old houses to the streets
beyond.
Public-domain text, read in full here on John Shaqi.
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