And this was what he saw there upon the box. Let the reader imagine the face and head of a lovely woman of some thirty years of age, the latter covered with rippling brown locks of great length, above which was set a roughly fashioned coronet studded with uncut gems. Let him imagine this face, all but the lips, which were coloured red, pale with the bloodless pallor of death, and the flesh so firm and fresh-looking that it might have been that of a corpse not a day old; so firm, indeed, that the head and all its pendant weight of beautiful hair could stand on the unshrunken base of the neck which, in some far-past age, cold steel had made so smooth. Then let him imagine the crowning horror of this weird sight. The eyes of a corpse are shut, but the eyes in this head were wide open, and the long black lashes, as perfect now as on the day of death, hung over what, when the light struck them, appeared to be two balls of trembling fire, that glittered and rolled and fixed themselves upon the face of the observer like living human eyes. It was these awful eyes that carried such terror to the hearts of the on-lookers when they cast their first glance around, and made them not unnaturally cry out that the head was alive. It was not until he had made a very careful examination of these fiery orbs that Mr. Cardus was afterwards able to discover what they were; and as the reader may as well understand at once that this head had nothing about it different from any other skilfully preserved head, he shall be taken into confidence without delay. They were balls of crystal fitted, probably by the aid of slender strings, into the eye sockets with such infernal art that they shook and trembled to the slightest sound, and even on occasion rolled about. The head itself, he also discovered, had not been embalmed in the ordinary fashion, by extracting the brain, and filling the cavity with spices or bitumen, but had been preserved by means of the injection of silica, or some kindred substance, into the brain, veins, and arteries, which, after permeating all the flesh, had solidified and made it like marble. Some brilliant pigment had been used to give the lips their natural colour, and the hair had been preserved by means of the spices. But perhaps the most dreadful thing about this relic of forgotten ages was the mocking smile that the artist who “set it up” had managed to preserve upon the face—a smile that just drew the lips up enough to show the white teeth beneath, and gave the idea that its wearer had died in the full enjoyment of some malicious jest or triumph. It was a terrible thing to look on, that long-dead, beautiful face, with its abundant hair, its crowning coronet, its moving crystal eyes, and its smile; and yet there was something awfully fascinating about it: those who had seen it once would always long to see it again.