So Madame Widger was resolved on. Her modest advertisement is
given, that the impartial reader may be brought to acknowledge
that the inducements to wed the Widger were not of the common
order.
“MADAME WIDGER, the Natural-Gifted Astrologist,
Second-Sight Seer and Doctress, tells past, present,
and future events; love, courtship, marriage, absent
friends, sickness; prescribes medicines for all
diseases, property lost or stolen, at No. 3 First-av.,
near Houston-st.”
The slight lack of perspicuity in this announcement seems to be a
mysterious peculiarity, common to all the Fortune Tellers, as if
they were all imbued with the same commendable contempt for all
the rules of English grammar.
The voyager being attired in a captivating costume, and being
also provided with pencils and paper to make a life-sketch, with
a view to an expansive portrait of his enslaver, whose beauty was
with him a foregone conclusion, set out with his faithful friend
for the delightful locality mentioned in the advertisement, where
the charming Circe, Widger, held her magic court.
He was not aware, at that time, that his intended bride was not a
blushing blooming maiden, but an ancient dame, whose very
wrinkles date back into the eighteenth century. But of that
hereafter.
He was determined to have her tell his “love, courtship, or
marriage, absent friends, or sickness,” and to insist that she
should “prescribe medicines for property lost or stolen,”
according to the exact wording of the advertisement.
The doughty “Individual” trembled somewhat, with an undefined
sensation of awe, as though some fearful ordeal was before him—to
use his own elegant and forcible language, he felt as though he
was going to encounter an earthquake with volcano trimmings.
“It is the fluttering of new-born love in your manly bosom,”
remarked his companion.
“Well,” was the reply, “if a baby love kicks so very like a horse
of vicious propensities, a full-grown Cupid would be so
unmanageable as to defy the very Rarey and all his works.”
Without any noteworthy adventure they kept on their way to the
First Avenue, and in due time stood, awe-struck, before the
mansion of the enchantress.
After the first impression had worn off, the scene was somewhat
stripped of its mysteriousness, and assumed an aspect commonplace,
not to say seedy. As soon as the sense of bewilderment with which
they at first gazed upon the domicile of the mysterious damsel so
favored of the fates, had passed away, they found themselves in a
condition to make the observations of the place and its
surroundings that are detailed below.
Public-domain text, read in full here on John Shaqi.
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