"Hit's jest the top on it," she communicated in a hoarse
whisper. "I hain't got the heart to put it in frames and quilt
it, 'caze I keep thinkin' of something else that ort to go on
it, time I say I'm done. Cur'us that I ain't never showed it to
you before." (This was a common formula with the widow, and
nobody ever disputed it). "See, that's Adam and Eve, to begin
on," and she indicated a pair of small, archaic figures cut from
blue checked gingham, their edges turned neatly in and whipped
to the white domestic background--when one thinks of it, a
domestic background is fairly proper for Adam and Eve. "That
ginghams they' cut out'n was a piece o' John's shirt--the last
one I made him."
"Tut, tut," responded Octavia, making that little clicking sound
with the tongue which does duty variously to express sympathy,
reprehension, surprise, or deprecation. She regarded the artistic
achievement before her with attention and respect. One could
readily distinguish Eve from Adam, because Eve was endowed with
petticoats, while Adam rejoiced in legs. Of course Eve had [32]
feet; but it would have taken someone less well acquainted with
the moral character of the Widow Griever than was Octavia Gentry
to deduce legs from those feet.
"What's that thar?" she made the customary inquiry, putting her
finger on a twisty bit of polka-dotted calico. "That must be the
sarpent."
"Hit air." Roxy returned the expected answer solemnly.
The Ancient Evil was represented as standing sociably on his
tail, facing the tempted pair.
"My! Don't he look feisty?" commented Octavia, with courteous
admiration. "Watch him jest a-lickin' out his tongue in Eve's
face. Lord," she sighed conventionally, "how prone women air to
sin!"
"Women? Huh!" snorted Mrs. Griever. "Not nigh so prone as tham
men. Look-a-here," turning the quilt to get at the Tree of Good
and Evil; "look at them thar apples. Now I made some of 'em out
of red calico, and some out of yellow. Do you think I ort to
have a few green, Miz. Gentry? Look like green apples is mighty
sinful and trouble makin'."
"I don't know," Octavia debated, as she ran her fingers over a
brave attempt at one of the Beasts of Revelation. "You might add
a few green ones. Hit does stand to reason that the Old Boy is
in green apples more than in ripe ones; but ef them that Eve
tempted Adam [33] with had been green--do you reckon he'd 'a' bit?"
The scandal was such an old one, that Roxy was evidently a little
irritated at its revival.
"Well, o' course," she said with some asperity, "a body cain't
gainsay what's in the Bible; but I have my doubts about that
thar apple fuss. Hit's men that prints the Good Book, and does
about with it--not women; an' I've always had a feelin' that mo'
likely hit was Adam got into that apple business first."
"Well, I don't know," repeated Octavia doubtfully. "I always
'lowed the Bible was the Bible. But what's a-goin' to be here?"
pointing to a sizable blank space.
Public-domain text, read in full here on John Shaqi.
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