And now the arrivals from the far cabins were on hand. Small
children who had been allowed to sit up and look on nodded in
corners, or stretched themselves across their fathers' knees and
were tumbled just as they were upon a pallet in the loft. The
usual contingent of bad little boys collected outside the door
and began to shout at the dancers by name, calling out comments
on personal peculiarities, or throwing small chips and stones
under foot to trip up the unwary. These were finally put down by
the strong hand.
Clapping and stamping increased as the dancers moved more
rapidly; calls were shouted; the laughter was continuous. Lance
Cleaverage leaned forward in his place, striking the humming
strings with sure, tense fingers, his eyes aglow, and on his
mouth a half smile. The fun waxed furious; the figures whirled
faster and faster, gathering, disparting, interweaving, swinging
and eddying before his eyes. Coats were thrown off, the feet
thudded out the measure heavily. This was his dissipation, the
draught that the mirth of others brewed for him. Its fumes were
beginning to mount to his brain, when Ola's hard brown little
hand came down across his strings and stopped [55] the music. There
was an instant and indignant outcry and protest.
"Consarn yo' time, Ola! What did you want to do that for?"
demanded a tall young fellow who had broken down in the midst of
a pigeon wing, as though he drew his inspiration from the banjo
and could not move without its sound.
"I want to hear Buck play on his accordion--and I want Lance to
dance with me," Ola said petulantly. "What's the use of him
settin' here all the time playin' for you-all to have fun, and
him never gettin' any? Come on, Lance."
Ola Derf was not used to the consideration generally accorded
young women. When she made a request, she deemed it well to see
that her requirements were complied with. Deftly she lifted the
banjo from Lance's lap and passed it to someone behind her, who
put it on the fireboard. Then laying hold of the young man
himself, she pulled him out into the middle of the room.
"Play, Buck, play," she admonished Fuson, who had his accordion.
"You made yo' brags about what fine music you could get out of
that thar box,--now give us a sample."
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account