Without a word of excuse or explanation he dropped the girl's
hand as he stood in the ring of [58] players, caught his banjo down
from the shelf, and leaving open mouths and staring eyes behind him,
strode through the door. A moment later he was footing it out in
the moonlight road, walking straight and fast toward the church
where protracted meeting was going on, and where he guessed Callista
would be with her family. A javelin, flame-tipped, had touched
him. Something new and fiery danced in his veins. He would see her
home. They would walk together, far behind the family group, in
this wonderful white moonlight.
When he reached Brush Arbor church he avoided the young fellows
lounging about the entrance waiting to beau the girls. He moved
lightly to a window at the back of the building and looked in.
There sat Octavia Gentry on the women's side, and old Ajax, her
father-in-law, on the men's. Callista he could not find from his
coign of vantage. An itinerant exhorter was on his feet,
preaching loud, pounding the pulpit, addressing himself now and
again to the mourners who knelt about the front bench. Lance
cautiously put his head in and looked further. Somehow he knew,
all in a moment, that this was what he had expected--what he had
hoped for; Callista was at home waiting for him. Yet none the
less he carefully examined the middle seats where might be found
the courting couples. He would not put it beyond his Callista to
go to church with some [59] other swain and sit there publicly
advertising her favor to the interloper.
When he was at last satisfied that she was not in the building,
he turned as he had turned from Ola Derf, and made a straight
path for himself from Brush Arbor to the Gentry place. Scorning
the beaten highway of other men's feet, he struck directly into
the forest, and through a little grove of second-growth
chestnut, with its bunches of silver-gray stems rising slim and
white in the light of the moon. Moonshine sifting through the
leaves changed his work-a-day clothing to the garb of a
troubadour. The banjo hung within easy reach of his fingers; he
took off his old hat and tucked it under his arm, striking now
and again as he went a twanging chord.
Public-domain text, read in full here on John Shaqi.
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