The Wizard's Son, Vol. 2 (of 3)Oliphant, Mrs. (Margaret)
General
The Wizard's Son, Vol. 2 (of 3)
Oliphant, Mrs. (Margaret)
Great Britain -- Fiction; Inheritance and succession -- Fiction; Supernatural -- Fiction
There was one thing however between her and this vacancy. He had left
her a commission which any kind-hearted girl would have thought a
delightful one--to arrange with the factor how the cotters were to be
most effectually helped and provided for. It had been their thought at
first--the young man being little better instructed than the girl on
such matters--that to make Duncan Fraser and the rest the proprietors of
their little holdings would be the most effectual way of helping them,
and would do the property of Lord Erradeen very little harm--a thing
that Walter, unaccustomed to property, and still holding it lightly,
contemplated with all the ease of the landless, never thinking of the
thorn in the flesh of a piece of alienated land in the midst of an
estate, until it suddenly flashed upon him that his estates being all
entailed, this step would be impossible. How was it to be done then?
They had decided that Shaw would know best, and that some way of
remitting the rents at least during the lifetime of the present Lord
Erradeen must be settled upon, and secured to them at once. Oona had
this commission left in her hands. She could have thought of none more
delightful a few days ago, but now it seemed to make the future vacancy
of life all the more evident by the fact that here was one thing, and
only one, before her to do. When that was done, what would happen?--a
return upon the pleasant occupations, the amusements, the hundred little
incidents which had filled the past? After all, the past was only a week
back. Can it ever return, and things be again as they were
before?----Oona had never reasoned or speculated on these matters till
this moment. She had never known by experiment that the past cannot
return, or that which has been be once more; but she became aware of it
in a moment now.
Public-domain text, read in full here on John Shaqi.
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