“Well, then, my dear Monsieur Alexandre, Thibault, the sabot-maker’s
wolf, is the devil. You were asking me last night for a tale, were you
not?”
“Yes.”
“Come back home with me this morning, then, and I will tell you a tale,
and a fine one too.”
The keepers and huntsmen shook hands with one another in silence and
separated, each going his own way; I went back with Mocquet, who then
told me the tale which you shall now hear.
Perhaps you will ask me why, having heard it so long ago, I have not
told it before. I can only answer you by saying it has remained hidden
away in a drawer of my memory, which has remained closed ever since, and
which I only opened again three days ago. I would tell you what induced
me to do this, but you might, I fear, find the recital somewhat tedious,
and as it would take time, I prefer starting at once upon my tale.
I say my tale; I ought perhaps to call it Mocquet’s tale--but, upon my
word! when you have been sitting on an egg for thirty-eight years, you
may be excused for coming to believe at last that you’ve laid it
yourself!
THE WOLF-LEADER
CHAPTER I
THE GRAND MASTER OF HIS HIGHNESS’ WOLF HOUNDS
The Seigneur Jean, Baron of Vez, was a hardy and indefatigable
sportsman.
If you follow the beautiful valley which runs between Berval and
Longpré, you will see, on your left hand, an old tower, which by reason
of its isolated position will appear doubly high and formidable to you.
At the present moment it belongs to an old friend of the writer of this
tale, and everyone is now so accustomed to its forbidding aspect, that
the peasant passing that way in summer has no more fear of seeking
shelter from the heat beneath its walls than the martins with their long
black wings and shrill cries, and the swallows with their soft
chirrupings, have of building their nests under its eaves.
But at the time we are now speaking of, somewhere about 1780, this
lordly dwelling of Vez was looked upon with different eyes, and, it must
be confessed, it did not then offer so safe a place of retreat. It was a
building of the twelfth or thirteenth century, rugged and gloomy, its
terrifying exterior having assumed no kindlier aspect as the years
rolled by. True, the sentinel with his measured tread and flashing
steel-cap no longer paced its ramparts, the archer with his
shrill-sounding horn no longer kept watch and ward on the battlements;
true the postern was no longer guarded by true men at arms, ready at the
least signal of danger to lower the portcullis and draw up the bridge;
but the solitude alone which surrounded this grim giant of granite was
sufficient to inspire the feeling of awe-inspiring majesty awakened by
all mute and motionless things.
Public-domain text, read in full here on John Shaqi.
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