“Well, his travels bein' over, down he comes to make his sister-in-law
a little visit. And he stays on and stays on. He never took no shine
to me--I judge he figgered I hadn't no business sharin' Abner's
property--and I never took to him, much.
“Emeline noticed Bennie D. and me wa'n't fallin' on each other's necks
any to speak of, and it troubled her. She blamed me for it. Said Bennie
was a genius, and geniuses had sensitive natures and had to be treated
with consideration and different from other folks. And that promise to
Abner weighed on her conscience, I cal'late. Anyhow, she petted that
blame inventor, and it made me mad. And yet I didn't say much--not so
much as I'd ought to, I guess. And Bennie D. was always heavin' out
little side remarks about Emeline's bein' fitted for better things than
she was gettin', and how, when his invention was 'perfected,' HE'D see
that she didn't slave herself to death, and so on and so on. And he had
consider'ble to say about folks tryin' to farm when they didn't know
a cucumber from a watermelon, and how 'farmin'' was a good excuse for
doin' nothin', and such. And I didn't have any good answer to that,
'cause I do know more about seaweed than I do cucumbers, and the farm
wasn't payin' and I knew it.
“If he'd said these things right out plain, I guess likely I'd have give
him what he deserved. But he didn't; he just hinted and smiled and acted
superior and pityin'. And if I got mad and hove out a little sailor talk
by accident, he'd look as sorry and shocked as the Come-Outer parson
does when there's a baby born to a Universalist family. He'd get up
and shut the door, as if he was scart the neighbors' morals would
suffer--though the only neighbor within hearin' was an old critter that
used to run a billiard saloon in Gloucester, and HIS morals had been
put out of their misery forty years afore--and he'd suggest that Emeline
better leave the room, maybe. And then I'd feel ashamed and wouldn't
know what to do, and 'twould end, more'n likely, by my leavin' it
myself.
“You can see how matters was driftin'. I could see plain enough, and I
cal'late Emeline could, too--I'll give her credit for that. She didn't
begin to look as happy as she had, and that made me feel worse than
ever. One time, I found her cryin' in the wash room, and I went up and
put my arm round her.
“'Emeline,' I says, 'don't; please don't. Don't cry. I know I ain't the
husband I'd ought to be to you, but I'm doin' my best. I'm tryin' to do
it. I ain't a genius,' I says.
“She interrupted me quick, sort of half laughin' and half cryin'. 'No,
Seth,' says she, 'you ain't, that's a fact.'
“That made me sort of mad. 'No, I ain't,' I says again; 'and if you ask
me, I'd say one in the house was enough, and to spare.'
“'I know you don't like Bennie,' she says.
“''Taint that,' says I, which was a lie. 'It ain't that,' I says; 'but
somehow I don't seem to fit around here. Bennie and me, we don't seem to
belong together.'
Public-domain text, read in full here on John Shaqi.
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