Isle of Man -- Fiction; World War, 1914-1918 -- Fiction
Only then, her excitement being over, does Mona realize what she has
done for herself. The townspeople are surging out of the court-house,
and, as they go, they are casting black looks at her. She awaits until
she thinks they are gone, and then, venturing out, she finds a throng
of them, women as well as men, on the steps and about the gate, and
they fall on her with insults.
“Here she comes!” “The traitor!” “It’s an ill bird that fouls its own
nest.” “The woman might have held her tongue, anyway; not given away
her own countryman to save a dirty Boche.”
A hiss that is like the sound of water boiling over hot stones follows
her down the street and out of the town, until she reaches the country.
Half-way home she is overtaken by the Commandant in his motor-car. He
stops to speak to her, and his kind face looks serious, almost stern.
“I’m willing to believe that what you did was done in the interest of
justice, but all the same I’m sorry for you, my girl, very sorry.”
The six prisoners have arrived at the camp before her, and a report of
what she has done at the trial has passed with the speed of a forest
fire over the five compounds. As she walks up the avenue, hardly able
to support herself, the brutal sailors of the Second Compound, the same
that had formerly offended her by their vulgar familiarity, rush to the
barbed wire to lift their caps to her. She does not look at them, but
hurries into the house, overwhelmed with shame and confusion.
To get through the work of the day is hard, and when night comes she
drops into her father’s seat by the fire and sits there for hours,
forgetting that she has eaten nothing since morning.
It is all over. The secret she has been struggling so hard to hide even
from herself, denying it over and over again to her conscience, she has
proclaimed aloud in public.
She loves this German--she who had hated all his race as no one else
had ever hated them! Everybody knows it, too, and everybody loathes
her. And her father--if she had killed her father before, as people
said, she has killed him a second time that day, covering his very
grave with disgrace.
“I couldn’t help it,” she thinks, but that brings her no comfort now.
At one moment she tells herself that since she has renounced her race
she must run away somewhere--she cannot live at Knockaloe any longer.
But then she thinks of Oskar, that he must remain, and cries in her
heart:
“I can’t! I can’t!”
And remembering what Oskar had said about her in court she throws up
her head and thinks:
“Why should I?”
When the time comes to lock up the house for the night she finds a
letter which has been pushed under the door. It is on prisoners’
notepaper and in a handwriting she has never seen before, and it
contains three words only:
“_God bless you!_”
Instantly, instinctively, she lifts it to her lips and kisses it. But
at the next moment, as she is going upstairs, the old weakness comes
sweeping back on her.
Public-domain text, read in full here on John Shaqi.
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