The Woman's Part: A Record of Munitions WorkYates, L. K.
History
The Woman's Part: A Record of Munitions Work
Yates, L. K.
Great Britain. Army -- Ordnance facilities; Weapons industry -- Employees; World War, 1914-1918 -- Women
At every stage, the shell is gauged and tested, examined and re-examined,
since accuracy is the watch-word of its production. Sometimes, the
machine-operator will gauge her own product; at other stages, the shell
passes into the hands of women overlookers of the factory, the final tests
being made by Government 'viewers'. The inside, as well as the outside of
the shell is submitted to such inspection, and you may see women peering
into the interior of the shells, aided by the light from a tiny electric
bulb, mounted on a stick. This contrivance is thrust successively into
rows and rows of shells.
Women are now exclusively used for the painting of the shells, a process
accomplished, not by means of a brush and paint-pot, but by the operator
playing a fine electrically-worked syringe on to the surface of the shell.
This process is undertaken in what is often called 'the butcher's shop',
the shells, in pairs, being swung up on a rope into a compartment where
the operator works from behind a protective iron screen.
In the Filling shops, women's devotion to their work has been proved once
and again. Whether the process undertaken be in company of a few comrades,
or in isolated huts where lonely vigils are kept over stores of
explosives, the munition-girls are hardly known to flinch in their duty.
Sometimes, they have volunteered to work throughout the night when
air-raids are in progress, at other times, women-workers have returned to
the Danger Zone immediately after some bad experience there; and, in every
case, the woman worker in the Filling Factory cheerfully sacrifices much
which she holds dear in life. It may signify but little to a man to give
up his small personal possessions whilst at work in the danger areas, but
to many a woman worker it means much, that she may not wear a brooch, or a
flower, while on duty, and that her wedding-ring, the only allowable
trinket, must be bound with thread while she works. Her tresses, which she
normally loves to braid, or twist into varying fashions, must also be left
hairpinless beneath her cap. She must relinquish her personal belongings
before going to her allotted task; no crochet-hook or knitting-pin may
accompany her into the zone where friction of steel, or hard metal, might
spell death to a multitude of employees. Yet this sacrifice of
individuality is given freely by the woman in the Filling shop, and she is
still merry-hearted and blithe as she fills the small bags with deadly
powder, or binds the charge which shall fire the shell.
When the shell is finally filled and passed 'O.K.', or perfect, it is a
woman who packs it into its box and who wheels it on a truck, sometimes
for a mile or more over narrow platforms, to hand it to another woman who
stacks it into the waiting railway-wagon. Any one who has watched
throughout the production of a shell in a factory of to-day can only echo
a well-known author's recent salute: 'Hats off to the Women'.
_In the Fuse Shop_
Public-domain text, read in full here on John Shaqi.
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