England -- Social life and customs -- Fiction; Inheritance and succession -- Fiction; Love stories; Young women -- Fiction
"And there is so much to interest one in the people one sees and lives
amongst. Now here, in Brown's Buildings, in The Jail, one finds quite a
large amount of amusement in--well, in noticing one's neighbours and
fitting a history to them. There is the young girl who lives on your
floor; the girl who, you told me, is in the chorus of the 'Baby Queen';
I am sure she is dreaming of, and looking forward to, the time when she
will be--principal lady, don't you call it?--and there is the lady who
lives opposite her; the old lady who always wears a black silk dress, a
satin cloak, and a crape bonnet. I am sure she has been 'somebody' in
her time. I met her one day on the stairs, carrying a milk-can. I should
have been cowardly enough to put it under my jacket or behind me; but
she held it out in front of her and stared at me with haughty defiance.
And there is my opposite neighbour"--she jerked her head, with a pretty,
graceful motion, towards the door fronting her own--"that handsome,
good-looking young fellow who comes up the steps two at a time and bangs
his door after him, as if he were entering a mansion."
"I know the young man you mean," said Mr. Clendon. "Have you fitted a
history to him?"
"Well, no; he puzzles me rather. I am sure he is a gentleman, and, of
course, he must be poor, or he would not be here. Sometimes I think he
is a clerk looking for a situation; but he has not the appearance of a
clerk, has he? He looks more like an--an engineer; but then, his hands
are always clean. He is well groomed, though his clothes are old."
She paused a moment.
"Do you know, Mr. Clendon, I fancy that he has been in trouble lately; I
mean, that something is worrying him. Yesterday, I heard him sigh as he
unlocked his door. He used to sing and whistle; but, for the last few
days, he has been quite quiet, and as I came in last evening I heard him
walking up and down his room, as men do when they have something on
their minds. Do you know his name?"
"No," said Mr. Clendon, shaking his head; "he is a comparatively
new-comer. I could find out for you, if you like."
"Oh, no, no!" she said, quickly, and with a touch of colour. "I am not
at all curious. I mean," she explained, "that knowing his name would not
increase my interest in him; quite the reverse. You know what I mean?
But I fancy I am interested in him because I think he may be in trouble.
You see, when one has suffered oneself----"
"Yes, that is the way with you women," said the old man. "In fact, I
suppose that, until you have suffered, you do not become women." He
glanced at the sheets of paper which lay on the little writing-desk and
added, "I am afraid I am keeping you from your work. It was very kind of
you to ask me to stay to tea--and to tell me what you have told me. I
wish I could help you----. But, no, I don't; for, if I could be of any
assistance to you, you would not let me; you are too proud, Miss Grant.
I like you all the better for the fact."
Public-domain text, read in full here on John Shaqi.
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