Domestic fiction; England -- Fiction; Feminists -- Fiction; Mothers and daughters -- Fiction; Women -- England -- Fiction
THE WOMAN WHO DID
by
Grant Allen
1895
TO MY DEAR WIFE
TO WHOM I HAVE DEDICATED
MY TWENTY HAPPIEST YEARS
I DEDICATE ALSO
THIS BRIEF MEMORIAL
OF A LESS FORTUNATE LOVE
WRITTEN AT PERUGIA
SPRING 1893
FOR THE FIRST TIME IN MY LIFE
WHOLLY AND SOLELY TO SATISFY
MY OWN TASTE
AND MY OWN CONSCIENCE
PREFACE
“But surely no woman would ever dare to do so,” said my friend.
“I knew a woman who did,” said I; “and this is her story.”
CHAPTER I
CHAPTER II
CHAPTER III
CHAPTER IV
CHAPTER V
CHAPTER VI
CHAPTER VII
CHAPTER VIII
CHAPTER IX
CHAPTER X
CHAPTER XI
CHAPTER XII
CHAPTER XIII
CHAPTER XIV
CHAPTER XV
CHAPTER XVI
CHAPTER XVII
CHAPTER XVIII
CHAPTER XIX
CHAPTER XX
CHAPTER XXI
CHAPTER XXII
CHAPTER XXIII
CHAPTER XXIV
CHAPTER I
Mrs Dewsbury’s lawn was held by those who knew it the loveliest in
Surrey. The smooth and springy sward that stretched in front of the
house was all composed of a tiny yellow clover. It gave beneath the
foot like the pile on velvet. One’s gaze looked forth from it upon the
endless middle distances of the oak-clad Weald, with the uncertain blue
line of the South Downs in the background. Ridge behind ridge, the
long, low hills of paludina limestone stood out in successive tiers,
each thrown up against its neighbour by the misty haze that broods
eternally over the wooded valley; till, roaming across them all, the
eye rested at last on the rearing scarp of Chanctonbury Ring, faintly
pencilled on the furthest skyline. Shadowy phantoms of dim heights
framed the verge to east and west. Alan Merrick drank it in with
profound satisfaction. After those sharp and clear-cut Italian
outlines, hard as lapis lazuli, the mysterious vagueness, the pregnant
suggestiveness, of our English scenery strikes the imagination; and
Alan was fresh home from an early summer tour among the Peruginesque
solidities of the Umbrian Apennines. “How beautiful it all is, after
all,” he said, turning to his entertainer. “In Italy ’tis the
background the painter dwells upon; in England, we look rather at the
middle distance.”
Mrs Dewsbury darted round her the restless eye of a hostess, to see
upon whom she could socially bestow him. “Oh, come this way,” she said,
sweeping across the lawn towards a girl in a blue dress at the opposite
corner. “You must know our new-comer. I want to introduce you to Miss
Barton, from Cambridge. She’s _such_ a nice girl too—the Dean of
Dunwich’s daughter.”
Alan Merrick drew back with a vague gesture of distaste.
“Oh, thank you,” he replied; “but, do you know, I don’t think I like
deans, Mrs Dewsbury.”
Mrs Dewsbury’s smile was recondite and diplomatic.
“Then you’ll exactly suit one another,” she answered with gay wisdom.
“For, to tell you the truth, I don’t think _she_ does either.”
Public-domain text, read in full here on John Shaqi.
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