The Woman Who Toils: Being the Experiences of Two Gentlewomen as Factory GirlsVan Vorst, John, Mrs.
History
The Woman Who Toils: Being the Experiences of Two Gentlewomen as Factory Girls
Van Vorst, John, Mrs.
Child labor -- United States; Women -- Employment -- United States; Working class -- United States
When the six o'clock whistle blew on the first night I had finished only
two dozen shirts. "You've got a good job," my teacher said, as we came
out together in the cool evening air. "You seem to be taking to it."
They size a girl up the minute she comes in. If she has quick motions
she'll get on all right. "I guess you'll make a good finisher."
Once more we assembled to eat and chat and relax. After a moment by the
kitchen pump we took our places at table. Our hostess waited upon us.
"It takes some grit," she explained, "and more grace to keep boarders."
Except on Sundays, when all men might be considered equals in the sight
of the Lord, she and her husband did not eat until we had finished. She
passed the dishes of our frugal evening meal--potatoes, bread and butter
and cake--and as we served ourselves she held her head in the opposite
direction, as if to say, "I'm not looking; take the biggest piece."
It was with my roommates I became the soonest acquainted. The butcher's
widow from Batavia was a grumbler. "How do you like your job?" I asked
her as we fumbled about in the dim light of our low-roofed room.
"Oh, Lordy," was the answer, "I didn't think it would be like this. I'd
rather do housework any day. I bet you won't stay two weeks." She was
ugly and stupid. She had been married young to a butcher. Left alone to
battle with the world, she might have shaken out some of her dullness,
but the butcher for many years had stood between her and reality,
casting a still deeper shadow on her ignorance. She had the monotony of
an old child, one who questions constantly but who has passed the age
when learning is possible. The butcher's death had opened new
possibilities. After a period of respectful mourning, she had set out,
against the wishes of her family, with a vague, romantic hope that was
expressed not so much in words as in a certain picture hat trimmed with
violet chiffon and carried carefully in a bandbox by itself, a new,
crisp sateen petticoat, and a golf skirt she had sat up until one
o'clock to finish the night before she left home. It was inevitable that
the butcher's widow should be disappointed. There was too much grim
reality in ten-hour days spent over a machine in the stifling mill room
to feed a sentimentalist whose thirty odd years were no accomplice to
romance. She grumbled and complained. Secret dissatisfaction preyed upon
her. She was somewhat exasperated at the rest of us, who worked cheerily
and with no _arriere pensee_. At the end of the first week the picture
hat was tucked away in the bandbox; the frou-frou of the sateen
petticoat and the daring swish of the golf skirt were packed up, like
the remains of a bubble that had reflected the world in its brilliant
sides one moment and the next lay a little heap of soap-suds. She had
gone behind in her work steadily at the factory; she was not making more
than sixty cents a day. She left us and went back to do housework in
Batavia.
Public-domain text, read in full here on John Shaqi.
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