“Well--what people won’t enjoy looking at.”
He winked his eyes. He was a little bald man, with a hatchet face that
did not suggest emotion.
“And judging by part of the left side of the face, I guess she must have
been almost a beauty once,” he added, stepping into the square.
That was Lady Holme now. She had to realise herself as a woman whom
people would rather not look at.
All this time she had not seen Fritz. He had asked to see her. He had
even tried to insist on seeing her, but so long as there was any hope in
her of recovering her lost beauty she had refused to let him come near
her. The thought of his eyes staring upon the tragic change in her face
sent cold creeping through her veins. But when the American had gone she
realised that there was nothing to wait for, that if she were ever to
let Fritz see her again it had better be now. The bandages in which
her face had been swathed had been removed. She went to a mirror and,
setting her teeth and clenching her hands, looked into it steadily.
She did not recognise herself. As she stood there she felt as if a
dreadful stranger had come into the room and was confronting her.
The accident, and the surgical treatment that had followed upon it,
had greatly altered the face. The nose, once fine and delicate, was
now coarse and misshapen. A wound had permanently distorted the mouth,
producing a strange, sneering expression. The whole of the right side of
the face was puffy and heavy-looking, and drawn down towards the chin.
It was also at present discoloured. For as Lady Holme lay under the car
she had been badly burnt. The raw, red tinge would no doubt fade away
with time, but the face must always remain unsightly, even a little
grotesque, must always show to the casual passer-by a woman who had been
the victim of a dreadful accident.
Lady Holme stared at this woman for a long time. There were no tears in
her eyes. Then she went to the dressing-table and began to make up her
face. Slowly, deliberately, with a despairing carefulness, she covered
it with pigments till she looked like a woman in Regent Street. Her face
became a frightful mask, and even then the fact that she was disfigured
was not concealed. The application of the pigments began to cause her
pain. The right side of her face throbbed. She looked dreadfully old,
too, with this mass of paint and powder upon her--like a hag, she
thought. And it was obvious that she was trying to hide something.
Anyone, man or woman, looking upon her, would divine that so much art
could only be used for the concealment of a dreadful disability. People,
seeing this mask, would suppose--what might they not suppose? The pain
in her face became horrible. Suddenly, with a cry, she began to undo
what she had done. When she had finished she rang the bell. Her maid
knocked at the door. Without opening it she called out:
“Is his lordship in the house?”
“Yes, my lady. His lordship has just come in.”
“Go and ask him to come up and see me.”
Public-domain text, read in full here on John Shaqi.
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