A very tall woman, with snow-white hair and a face in which nobility and
weariness were mated, let fall two tears, and a huge man, with short,
bronze-coloured hair and a protruding lower jaw, who was sitting
opposite to her, noticed them and suddenly looked proud.
The light soprano voice went on singing an Italian song about a summer
night in Venice, about stars, dark waters and dark palaces, heat, and
the sound of music, and of gondoliers calling over the lagoons to their
comrades. It was an exquisite voice; not large, but flexible and very
warm. The pianoforte accompaniment was rather uneasy and faltering. Now
and then, when it became blurred and wavering, the voice was abruptly
hard and decisive, once even piercing and almost shrewish. Then the
pianist, as if attacked by fear, played louder and hurried the tempo,
the little dark woman smiled mischievously, the white-haired woman put
her handkerchief to her eyes, and the young man looked as if he wished
to commit murder. But the huge man with the bronze hair went on looking
equably proud.
When the voice died away there was distinct, though slight, applause,
which partially drowned the accompanist’s muddled conclusion. Then a
woman walked in from the second drawing-room with an angry expression on
her face.
She was tall and slight. Her hair and eyes were light yellow-brown, and
the former had a natural wave in it. Her shoulders and bust were superb,
and her small head was beautifully set on a lovely, rather long, neck.
She had an oval face, with straight, delicate features, now slightly
distorted by temper. But the most remarkable thing about her was her
complexion. Her skin was exquisite, delicately smooth and white, warmly
white like a white rose. She did nothing to add to its natural beauty,
though nearly every woman in London declared that she had a special
preparation and always slept in a mask coated thickly with it. The Bond
Street oracles never received a visit from her. She had been born
with an enchanting complexion, a marvellous skin. She was young, just
twenty-four. She let herself alone because she knew improvement--in
that direction--was not possible. The mask coated with Juliet paste,
or Aphrodite ivorine, existed only in the radiant imaginations of her
carefully-arranged acquaintances.
In appearance she was a siren. By nature she was a siren too. But she
had a temper and sometimes showed it. She showed it now.
As she walked in slowly all the scattered people leaned forward,
murmuring their thanks, and the men stood up and gathered round her.
“Beautiful! Beautiful!” muttered the thin, elderly man in a hoarse
voice, striking his fingers repeatedly against the palms of his withered
hands.
Public-domain text, read in full here on John Shaqi.
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